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Summary
Summary
Nell Crane has never held a boy's hand.
In a city devastated by an epidemic, where survivors are all missing parts--an arm, a leg, an eye--Nell has always been an outsider. Her father is the famed scientist who created the biomechanical limbs that everyone now uses. But she's the only one with her machinery on the inside: her heart. Since the childhood operation, she has ticked. Like a clock, like a bomb. And as her community rebuilds, everyone is expected to contribute to the society's good . . . but how can Nell live up to her father's revolutionary ideas when she has none of her own?
Then she finds a lost mannequin's hand while salvaging on the beach, and inspiration strikes. Can Nell build her own companion in a world that fears advanced technology? The deeper she sinks into this plan, the more she learns about her city--and her father, who is hiding secret experiments of his own.
Sarah Maria Griffin's haunting literary debut will entrance fans of Patrick Ness's Chaos Walking series, Paolo Bacigalupi's Ship Breaker, and Emily St. John Mandel's Station Eleven.
Reviews (5)
School Library Journal Review
Gr 9 Up-Griffin's richly descriptive writing exquisitely evokes a dark, dank dystopian world destroyed by humans' obsession with computers. Sixteen-year-old Nell lives with her mad scientist father, Julian, who is widely respected for his fantastical prosthetic creations. When Nell was young, Julian implanted a ticking heart in her, but he couldn't save Nell's mother. Nell's incessant ticking, coupled with the expectation that she live up to the reputations of her parents, both renowned scientists, causes her to feel like an outsider. Enter Io: Nell creates a robot of sorts, using spare and found parts, such as a ladder (for the spine), a mannequin hand, and a teakettle (for the head). An illicit, stolen computer provides the brain. Not quite sci-fi, not quite fantasy, this quirky nod to Frankenstein will delight some readers and confuse others. Io kindly acts as a caretaker for Nell. Initially, Nell's revolutionary project alienates her friends. But in a hurried ending, she discovers the truth about her parents and her friends rally their support as Nell verges on the cusp of greatness. Griffin's strength lies in her ability to perfectly convey the mood and tone of her Burton-esque world. Unfortunately, absurd moments (Nell kissing a teakettle), a slowly evolving story, and the awkward use of shifting narrative perspectives conflict with her skillful writing. VERDICT This work may have a niche audience, but readers who are fond of rich, descriptive writing and can bypass certain preposterous situations will find a treasure in this Frankenstein-inspired tale.-Laura Falli, McNeil High School, Austin, TX © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
"Could you make a soul out of spare and found parts?" It's been more than 100 years since an event known as the Turn, and people now live without the computers and technology that brought about destruction and sickness. Nell Crane lives with her father, Dr. Julian Crane, in the Pale, home to those born without limbs and other body parts. Julian creates wondrous mechanical limbs for those who need them, and Nell, self-conscious about her mechanical heart, is under pressure to present a creation of her own to the Youth Council. She longs to build something more impressive than the tiny bots she assembles, and out of this longing an idea is born: Nell will build a boy, someone who will see past her scar. Irish author Griffin's lovely U.S. debut is a quietly effective cautionary tale about a world still reeling from past mistakes. The steady ticking of Nell's heart provides a drumbeat for her aching loneliness, her grief over the death of her mother, and her quest-despite catastrophic betrayal-to understand what it means to be alive. Ages 14-up. Agent: Simon Trewin, William Morris Endeavor. (Oct.) © Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
In Griffins post-apocalyptic Black Water City, Nell is feeling pressure to complete her contribution, a project meant to advance the citys progress, without which shell be sent to work in the stone yard. Her late mother designed the giant statue that lifts morale in the city, and her father is a genius at creating artificial limbs to replace ones lost in the epidemics that followed the toxic electromagnetic pulses of the Turn, the disastrous end of a computer-run society. Nell herself wears the ticking clockwork heart he made to replace the poisoned heart she was born with, and perhaps because of it, she feels alienated from societyeven from her friend Ruby, and especially from her unwanted suitor, Oliver. But when Nell finally does come up with an idea for her contribution (creating a mechanical boy with salvaged computer intelligence to be an ambassador for the reintroduction of computer technology), her plan disgusts Ruby and Oliver. Ruby: It could cause a disasterthat kind of greed belongs in the past. Nell wants to rely on her father, at least, for helpbut he has selfish plans of his own that Nell is unable to countenance. Part Pinocchio, part Frankensteins monster, Nells construction allows the story authentic depths of horror and moral disquiet. The authors unusual prose is lush enough to provide thorough world-building and spare enough to carry the main characters emotions without overstatement. anita l. burkam (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A lonely, motherless girl with a clockwork heart risks everything to create a mechanical friend in a futuristic Ireland where computers are forbidden. After an ill-defined technological crisis known as the Turn caused a devastating epidemic, Ireland was divided into Pale and Pasturesick and welland now spurns all but the most necessary technology. The citizens of the Pale are all missing parts, but prostheses are "augmentations" rather than disadvantages. Gay and gender-fluid characters appear without remark. Dark-haired, brown-skinned Nell Starling-Crane, whose father fashions the sophisticated prostheses, is nevertheless set apart; she's the only citizen with a mechanical heart, the loud ticking of which makes her self-conscious. Contributing to adult society is crucial for avoiding a life in stonework or marriage, but despite a looming project deadline, Nell has no ideasuntil she decides to build a sentient android companion from ancient computer parts, defying the law against artificial intelligence. Griffin explores the ethical quandaries of progress, love, class, and ambition in language as ornate as the characters' decorated prostheses; sometimes a phrase catches the eye, and sometimes the heavy mix of metaphors almost camouflages the story underneath. Chapters alternate between third-person accounts of Nell's exploits and second-person observations of Nell's past and present. The observer is not always clear, which makes the perspective shifts disorienting. Nevertheless, the plot is compelling, full of secrets, blackmail, and betrayals that resolve at just the right momentsconvenient, yes, but satisfying. Though occasionally uneven, this poetic, Frankenstein-esque tale forms a page-turning whole. (Science fiction. 13 up) Copyright Kirkus Reviews, used with permission.
Booklist Review
In an indistinct future, computers are no more in fact, they're outlawed after bringing about an epidemic that has resulted in surviving generations being born missing body parts. For teenage Nell, whose father is a renowned inventor of biomechanical limbs, this manifests differently than it does for everyone else: it's her heart that is missing. Her loudly ticking mechanical replacement sets her apart from everyone else. Lonely, desperate to live up to her father's reputation, and struggling to make a necessary contribution to her community, Nell comes up with a radical plan to build a boy and bring him to life using long-forbidden computer parts. This Frankensteinian debut from Ireland raises a number of tense, lingering questions, although it loses some momentum as the plot progresses and some aspects of this future are left maddeningly vague. Still, the prose is lovely, and readers looking for a Frankenstein update that upholds the spirit of the original will be pleased.--Reagan, Maggie Copyright 2016 Booklist