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Summary
Summary
A very unscientific poll recently revealed that 99.9% of all people who attended middle school hated it. Fortunately, some of those people have grown up to be clever and talented comic artists, with an important message to share: Everyone can survive middle school
Edited by underground comics icon Ariel Schrag, this anthology of illustrated tales about the agonies and triumphs of seventh and eight grade features some of America's leading graphic novelists, including Daniel Clowes, Joe Matt, Lauren Weinstein, and Ariel herself. With a sense of humor as refreshing as it is bitingly honest, seventeen artists share their stories of first love, bullying, zits, and all the things that make middle school the worst years of our lives.
Author Notes
Ariel Schrag is a well-respected graphic novelist. Her series of autobiographical comics are currently being made into a major motion picture. She works as a writer for the popular Showtime program The L Word. Ariel lives in New York City.
Reviews (4)
School Library Journal Review
Gr 7-9-Multiple stories of life during middle school are told in an indie comix style that might appeal to the zine crowd in terms of raw art, construction, and subject matter. Common themes of alienation, adjustment, popularity, and burgeoning sexual drives can be found in the various tales-with accompanying charged language-but what is most striking is their collective open-ended lack of structure and conclusion. While the stories take transition and formative awareness to heart, the recurring vignette format prevents most of the offerings from providing much in the way of a discernable message or point beyond the evocative emotional content. The volume subsequently has a therapeutic vibe, with the stories-even while not contemporary in most of their settings-existing simply to show that the situations in which readers may find themselves are common. But the sharing seems less helpful for prospective readers than it seems purgative to the contributors, as little solace can be found in moments that hang on the page without any clear direction. The artwork is quite varied, but does exemplify that there are many ways of expressing oneself, and that traditional comic-book structures can be adapted or subverted in order to create a personal storytelling technique. In this fashion, the book does more artistically to demonstrate the potential of individual expression than the generic themes and the somewhat meandering plotting.-Benjamin Russell, Belmont High School, NH (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
If you can survive junior high, you can survive anything!" That's cartoonist Jace Smith's inspirational promise in this collection of 17 comics covering those universally awkward middle-school years. The agonies depicted are the kind that leaves scars: betrayal over Spin-the-Bottle, schoolyard taunting, hazing by cheerleaders and wedgies aplenty. Every reader will have something to readily identify with: Dash Shaw's young hero wonders if he'll ever find love despite having a face full of zits. Gabrielle Bell's heroine wears the same clothes every day, earning her the nickname "Stinky." Lauren Weinstein's Becky tops off a miserable stay at a horse camp by getting her period. The stories range from crudely drawn but deeply felt to truly literary, such as Daniel Clowes's tale of an introverted boy's summer with his grandparents. Editor Shrag contributes two of the strongest stories. In one, girlish cattiness earns karmic retribution with a bus ride to a bad part of town. In another, the hapless heroine chooses to carry around her own poop in her backpack rather than admit a social faux pas. The situations are often hilarious in retrospect, but the contributors make their emotional painfulness at the time fully apparent. This collection should help those in the midst of similar social travails realize that they, too, will someday look back and laugh at it all. Ages 12-up. (May) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
How bad was it in junior high? Comics artists visualize the anguish in this honest, acutely perceptive compendium of cartoon black humor. Editor Schrag, who relived her high-school years in several books, including Potential (2000), adds herself to an impressive roundup of artists, including Aaron Reiner ( Spiral-Bound, 2004), Lauren Weinstein ( Girl Stories, 2005), and Daniel Clowes, whose comics were adapted into an Oscar-nominated movie, Ghost World . Occasionally repetitious, the comics nevertheless hit the mark in terms of emotional content, whether the subject is making friends, embarrassing parents, or suffering through a first date. Wildly disparate in style, the black, white, and gray-tone artwork ranges from Eric Enright's minimalist contribution, with figures that look like toddler toys, and Jace Smith's freewheeling, bug-eyed monster-kid comic to Joe Matt's stark, crisply drawn contribution. Kids going through adolescence will relate; so will those who have come out on the other side. --Stephanie Zvirin Copyright 2007 Booklist
New York Review of Books Review
IS it so bad to grow up Asian in America? One might be forgiven for asking upon encountering "American Born Chinese," a graphic novel that, with its dark exploration of Asian-American adolescence, won last year's Michael L. Printz Award for young adult literature and was also a finalist in its genre for a National Book Award. After all, Asians are widely perceived to have it easier than other minorities in the United States, especially African-Americans, whose coming-of-age struggles have been chronicled for decades by writers like Walter Dean Myers, Jacqueline Woodson and Sharon G. Flake. But in "American Born Chinese," Gene Luen Yang makes growing up Chinese in California seem positively terrifying. The narrative is divided into three parts: the coming-of-age tale of the Asian-American Jin Wang, which centers on his relationship with his best friend, Wei-Chen Sun; the fantastical tale of a Monkey King who does not want to be a monkey; and the deeply disturbing story of Chin-Kee, a grotesque who takes every Chinese stereotype and wraps it into a leering, drooling package. Yang seems to use Chin-Kee to express his deepest fears of how others perceive Asian-Americans. In the book's more realistic sections, Wang's friend Wei-Chen is embarrassingly "fresh off the boat"; Chin-Kee is less embarrassing than monstrous. He comes to the United States for an extended visit with Danny, his blond, blue-eyed cousin, and enters with a shout of "Harro Amellica!" (The author uses Chin-Kee's L/R switch to great effect - at one point he says he's having a "lorricking good time" in his new school.) He wants to bind the feet of Danny's attractive study partner. His eyes are pupil-less slits. And he dominates Danny's classes, reminding us that the image of a Chinese student filling out all the SAT bubbles correctly can be as damaging as one eating "flied cat gizzards." Scenes of tribulation from "American Born Chinese" and, below, "Stuck in the Middle." More disquieting than Chin-Kee himself is the reaction of his American peers. They accept him with blank, idealized political correctness. Only when he begins to engage in truly disgusting behavior do they turn on him. It is as if Chin-Kee is trying to make others despise him. While Chin-Kee's coolie outfit harks back to the 19th century, Yang - who teaches high school computer science in San Francisco-also takes from modern sources. In one scene, Chin-Kee dances on a table singing "She Bangs" in the style of William Hung, the Berkeley student who turned a ridiculed "American Idol" audition into a brief singing career in 2004. Hung's hooks were his geeky appearance and accent; his music video soaked him in bling and surrounded him with backup dancers to drive home the point that he would never have bling or backup dancers. "American Born Chinese" blends Chinese and American cultures in inventive, unexpected ways. Structurally, its interwoven stories form a trilogy - a familiar Western construction - but the tale of the Monkey King is dominated by groups of four: four Major Heavenly Disciplines of kung fu; four emissaries of Tze-Yo-Tzuh, creator of all existence (an invention of Yang's). Thus four, a cursed number in Chinese numerology, dogs the Monkey King until he comes to terms with his identity. At the end of his story, in the book's most clever ethnic synthesis, he turns four to his favor, becoming one of four emissaries to the West who replace the wise men in their pilgrimage to see Jesus. This image of the blending of Asian-American and white cultures will be tested in the coming years. As the white population in America falls below 50 percent, around 2060 (according to census projections), the definition of "white" is once again set to expand as it did for Italian- and Irish-Americans. Who will get to join the club? Or will the club finally fall to pieces? Caught up in these complex questions, it is easy to forget that "American Born Chinese" also functions well as a comic book. (Many graphic novelists are taking back this once-disparaging term.) The art blends the clean lines of anime with a bold American palette. Yang is equally adept at depicting a high school cafeteria and the Monkey King's fantastical realm. "American Born Chinese" is sometimes needlessly crass - it opens with a joke about breasts and peaches - and it is hampered by a confusing ending that stretches to resolve the three tales. But with Chin-Kee's striking embodiment of ethnic confusion and self-betrayal, Gene Luen Yang has created that rare article: a youthful tale with something new to say about American youth. QUESTIONS of identity are also at the heart of "Stuck in the Middle," a collection of comics about junior high school edited by Ariel Schrag, a writer and artist. Here, though, instead of race, issues of morality and sexuality dominate the narrative. Some of the stories - Lauren Weinstein's horrible time at a horseback-riding camp, Daniel Clowes's detached memories of summer with his grandparents - are hilarious. Others, like Eric Enright's tale of self-hatred, remind us that the concerns of junior high are often far from funny. Schrag cleverly plays up this contrast by alternating the stories, suggesting the mood swings of adolescence itself. The anxieties of sexual and social identity are to be expected in "Stuck in the Middle." What surprises is that one of the best of the stories, Aaron Renier's "Simple Machines," tackles the search for one's professional self. In telling how he came to make comics, Renier reminds the reader that discovering what you're good at is perhaps the greatest teenage joy. "Stuck in the Middle" is weakest when its contributors ignore the structure of the short story and instead present what seem like excerpts from longer works. But by and large it is excellent, and the variety of the art ensures that the reader never gets bored. 'Stuck in the Middle' plays up issues of morality and sexuality. In 'American Born Chinese,' it's race. Ned Vizzini is the author of the young adult novels "Be More Chill" and "It's Kind of a Funny Story."