Publisher's Weekly Review
The Mystery Writers of America presents a collection of Poe tales with afterwords by 20 distinguished writers who honor Poe's powerful influence on the modern crime story. Stephen King, reflecting on "The Tell-tale Heart," credits Poe with writing "the first tale of criminal sociopathy." Lisa Scottoline, in her perceptive appreciation of "William Wilson," cites a score of contemporary works that silently acknowledge its influence in their exploration of "the spookiness that comes from the fragmenting or doubling of the self, and the splintering of identity." P.J. Parrish, writing reverently on "The Black Cat," praises it as, among other things, "an early example of genre-crossing" in its splice of horror and detection. Contributions from Lawrence Block, Sue Grafton, Sara Paretsky, Tess Gerritsen and others-many of them Edgar winners-vary in their appreciation from the deeply personal to the respectfully analytical, and from the lightly humorous to the deadly earnest. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
*Starred Review* What mystery novelist worth his or her advance isn't indebted to the dark-souled inventor of the detective-fiction genre? And what reader hasn't left the lights lingering a little longer after indulging in one of his tales? This compulsively readable collection, commemorating the 200th anniversary of Edgar Allan Poe's birth, unites some of Poe's best short works (including The Black Cat, The Raven, and The Fall of the House of Usher) with commentary by a slew of Edgar Award winners and nominees. Here readers find T. Jefferson Parker reflecting on the awe he experienced, as a 12-year-old boy, upon reading the unforgettable opening lines of The Cask of Amontillado. And Nelson DeMille as a teenager, quivering in his boots as he cuts through a cemetery after seeing the 3-D movie based on The Murders in the Rue Morgue. Novelist Lisa Scottoline, who didn't buckle down and read Poe until adulthood, writes about Poe's spooky representations of the splintered self that inspired her own prose. Editor Connelly recounts a memorable, albeit terrifying, night in a hotel room spent under the author's spell. Opining on The Tell-Tale Heart, Stephen King doesn't miss a beat.: Poe foresaw the darkness of generations far beyond his own, he writes. Ours, for instance.--Block, Allison Copyright 2008 Booklist
Library Journal Review
The bicentennial of the birth of the father of modern mystery-on January 19, 2009-is bound to be observed by writers of the genre. The Mystery Writers of America (whose award of excellence is the Edgar) presents these two publications simultaneously, with identical introductory articles about the author and the organization. In the Shadow of the Master features 13 of Poe's best-known tales, poems "The Raven" and "The Bells," and an excerpt from his sole novel, The Narrative of Arthur Gordon Pym of Nantucket, followed by essays about these works from contemporary mystery authors. Most speak either generally in appreciation of the master of horror or about the effects of his work on them personally. P.J. Parrish details what writers can learn from Poe, S.J. Rozan praises his language, and King observes that Poe "foresaw the darkness of generations far beyond his own." Varied in length and quality, these afterwords serve to add a dimension to Poe's work. While libraries may own ample Poe collections intended largely for students, this volume would be useful to refresh current holdings. The 20 new tales in honor of Poe in On a Raven's Wing act as riffs on the original works. Some echo the themes of Poe's tales (e.g., Mary Higgins Clark's "The Tell-Tale Purr" and P.J. Parrish's updated "The Tell-Tale Pacemaker"), while others focus on the horror of confinement (e.g., Brendan DuBois's "The Cask of Castle Ireland"). There are also stories involving scams centering on Poe's work or artifacts; in others, Poe's work helps to unite characters (e.g., Thomas H. Cook's "Nevermore" and Don Winslow's "Poe, Jo, and I"). Among the most frightening tales are James W. Hall's "Bells" and Stuart M. Kaminsky's "Rattle, Rattle, Rattle"; both ratchet up an atmosphere of suspense and madness in the manner of the master. Full appreciation of these tales requires a familiarity with Poe, but the collection is entertaining on its own.-Michele Leber, Arlington, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.