School Library Journal Review
Gr 3-4-Recently, there has been a trend of recasting familiar folk and fairy tales in new or more modern settings. One of the most notable of these retellings is Barry Moser's The Tinderbox (McElderry, 1988), set in post-Civil War America. San José's Cinderella brings the familiar tale to turn-of-the-century Manhattan. Her narrative flows smoothly and stresses the heroine's kindness rather than her physical beauty; similarly, the stepsisters' flaws are described as vanity and selfishness. San José's skill as a storyteller is evident in the rhythm and pacing of her text. Santini's watercolors have a rich, warm glow, and their soft style enhances the fashions and furnishings of the Gay Nineties. Careful attention is paid to line, movement, and detail; the pictures are full of motion, pulling readers along with the narrative. However, other than the blurb on the dust jacket, there is nothing specific to indicate time period or location. Furthermore, the Prince is out of place in an American setting, as are the references to heralds. Still, this is a well-written version with a refreshing and distinct difference, and is well worth adding to any collection.-Donna L. Scanlon, Lancaster County Library, PA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Horn Book Review
Perrault's tale is expanded with details related in graceful language. Sepia-tinted paintings set the familiar story in turn-of-the-century Manhattan. Though the figures are sometimes malformed, the illustrations are filled with motion and glamour and will charm those who love the Cinderella story. From HORN BOOK 1994, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
