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Summary
Summary
#1 NEW YORK TIMES BESTSELLER * PULITZER PRIZE WINNER * NATIONAL BOOK AWARD WINNER * A magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South. * Now an original Amazon Prime Video series directed by Barry Jenkins.
Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood--where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned--Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.
In Whitehead's ingenious conception, the Underground Railroad is no mere metaphor--engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But the city's placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.
Like the protagonist of Gulliver's Travels, Cora encounters different worlds at each stage of her journey--hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman's ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.
Look for Colson Whitehead's new novel, Crook Manifesto , coming soon!
Author Notes
Colson Whitehead was born on November 6, 1969. He graduated from Harvard College and worked at the Village Voice writing reviews of television, books, and music.
His first novel, The Intuitionist, won the Quality Paperback Book Club's New Voices Award. His other books include The Colossus of New York, Sag Harbor, and Zone One. He won the Young Lions Fiction Award and the Anisfield-Wolf Book Award for John Henry Days, the PEN/Oakland Award for Apex Hides the Hurt, and the National Book Award for fiction and the Pulitzer Prize for fiction for The Underground Railroad.
His reviews, essays, and fiction have appeared in numerous publications including the New York Times, The New Yorker, New York Magazine, Harper's and Granta. He has received a MacArthur Fellowship, a Whiting Writers Award, and a fellowship at the Cullman Center for Scholars and Writers.
(Bowker Author Biography)
Reviews (2)
New York Review of Books Review
THE UNDERGROUND RAILROAD, by Colson Whitehead. (Anchor, $16.95.) Whitehead's boldly inventive novel follows Cora, a slave in Georgia making her escape to freedom on a literal underground railroad. As she encounters horror after horror, the story trains an eye on aspects of black history too often co-opted by white narrators. This book, one of the Book Review's 10 best of 2016, won the Pulitzer Prize for Fiction in 2017. CANNIBALISM: A Perfectly Natural History, by Bill Schutt. (Algonquin, $16.95.) It wasn't just the Donner party. Cannibalism is often the rule, not the exception, for many species. Schutt's breezy tone helps keep disgust at bay, and the book is full of surprising detail: In China, for example, elites during the Yuan dynasty (1271-1368) regularly feasted on humans, and the practice continued well into the late 1960s. A PIECE OF THE WORLD, by Christina Baker Kline. (William Morrow/HarperCollins, $16.99.) Kline imagines the inner life of the woman with polio crawling across a desolate field in Andrew Wyeth's iconic painting, "Christina's World." "Both painter and writer have a fine-grained feel for the setting," our reviewer, Becky Aikman, wrote. "Christina's yearning, her determination, her will to dream, occupy the emotional center in both the novel and the painting." PHENOMENA: The Secret History of the U.S. Government's Investigation Into Extrasensory Perception and Psychokinesis, by Annie Jacobsen. (Back Bay/Little, Brown, $17.99.) For decades, the military has tried to harness the supernatural - to find hostages, for example, or to read foreign governments' minds. Jacobsen's account is full of entertaining anecdotes; she catalogs the seers, the spoon-benders and the researchers who administered ESP tests to plants, all funded in the interest of national security. ILL WILL, by Dan Chaon. (Ballantine, $17.) This dark literary thriller deals with recovered memories, satanistic ritual and childhood trauma. Dustin, a psychologist in his 40s, is grappling with a tragic past: His parents, aunt and uncle were murdered and his adopted brother, Rusty, was convicted of the crime. But new DNA evidence helped overturn the ruling, and Rusty's exoneration stirs up long-repressed guilt and fear. MY UTMOST: A Devotional Memoir, by Macy Halford. (Vintage, $17.) "My Utmost for His Highest," a book loved by evangelicals, was central to Halford's faith when she was growing up. Years later, as her beliefs shifted, she investigated the book's origins and its author, Oswald Chambers. Her memoir is both a mediation on "a complicated nostalgia" for the faith of her childhood and an intellectual biography of Chambers.
Library Journal Review
Pulitzer Prize finalist Whitehead (John Henry Days) here telescopes several centuries' worth of slavery and oppression as he puts escaped slaves Cora and Caesar on what is literally an underground railroad, using such brief magical realist touches to enhance our understanding of the African American experience. Cora, an outsider among her fellow slaves since her mother's escape from a brutal Georgia plantation, is asked by new slave Caesar to join his own escape effort. He knows a white abolitionist shopkeeper named Fletcher with connections to the Underground Railroad, and as they flee to Fletcher's house, Cora saves them from capture with an act of violence that puts them in graver danger. "Who built it?" asks Caesar wonderingly of the endless tunnel meant to carry them to freedom. "Who builds anything in this country?" replies the stationmaster, clarifying how much of America rests on work by black hands. The train delivers Cora and Caesar to a seemingly benevolent South Carolina, where they linger until learning of programs that recall the controlled -sterilization and Tuskegee experiments of later years. Then it's onward, as Whitehead continues ratcheting up both imagery and tension. VERDICT A highly recommended work that raises the bar for fiction addressing slavery. [See Prepub Alert, 3/7/16.]-Barbara Hoffert, -Library Journal © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.