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Summary
Summary
A boy finds a salamander in the woods and imagines the many things he can do to turn his room into a perfect salamander home. Together, Anne Mazer and Steve Johnson have created a woodland paradise that any salamander would love to share with a child.
Author Notes
Anne Mazer was born in New York in 1953 to novelists, Harry Mazer and Norma Fox Mazer. She began reading at an early age and knew the trials and frustrations of being a writer. Instead of following in the family business, she went to college and concentrated on art as well as French, moving around to several colleges and living in New York, Boston and France. After the birth of her first child, Mazer began writing picture books and found her craft. She has since written over 35 books for children ranging from picture books to novels for young adults. Her titles include: All that Glitters Isn't Gold, A Childhood Remembered, and Every Cloud Has a Silver Lining.
(Bowker Author Biography)
Reviews (5)
School Library Journal Review
PreS-Gr 2-- Brian's determination to keep a salamander in his room is met with quizzical concern on the part of his mother--``Where will he sleep?. . . where will he play?'' Inquiries are answered with imaginative solutions that will be familiar to all those who have tried to convince a parent to let them have a pet. Johnson's lush, shadowy paintings depict each addition to the cumulative scenario as Brian's cozy bedroom is gradually transformed into a dark green forest that overflows the pages as the fantasy becomes more elaborate. From its rich green endpapers through its handsome typeface, this is a beautifully designed mood piece. The subtle implication that animals require responsible handling is positive, although readers caught up in the fantasy are never brought back to mundane reality. Johnson's salamander is realistically depicted, yet imbued with personality, whether wistfully peering through the bedroom window to see his forest friends or snuggled under leaves sleeping next to Brian. He will have young readers yearning for salamander rooms of their own. --Louise L. Sherman, Anna C. Scott School, Leonia, NJ (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
PW described this ``atmospherically illustrated'' tale about a boy's plans to accommodate a salamander as a ``fitting tribute to a child's perseverance and imagination,'' Ages 4-8. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
A boy wants to keep an appealing orange salamander in his room and imagines how he can keep the animal happy by planting trees, encouraging insects and birds to enter, and finally removing the roof to let in the rain. The softly realistic paintings, full of warm dappled sunlight, show an increasingly crowded room which takes up more and more of the page as the boy's fantasy increases. From HORN BOOK 1991, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
In response to his mother's queries about what he will need to do in order to make a little salamander comfortable if he keeps it in his room, Brian imagines appropriate changes: he'll bring in moss and leaves, crickets and frogs, insects and birds, and, finally, he'll plant trees and open the room to the sky. Meanwhile, in luminous, carefully imagined paintings, Johnson depicts the room being transformed into the chameleon's forest home. A valid lesson, delivered with sensitivity to both the child and his captive. Copyright ©Kirkus Reviews, used with permission.
Booklist Review
Ages 4-6. On the first page of this picture book, a little boy about seven years old finds a salamander and brings it home. From that point on, the text relates his conversation with his mother about keeping the animal. The artwork, however, reflects the boy's plans, showing the imaginary transformation of his room from a conventional bedroom into a habitat suitable for his newfound friend. Although sometimes the boy's words sound unlikely for a child his age ("I will carpet my room with shiny wet leaves . . . "), his ideas remain essentially childlike. The vibrant full-color illustrations are stylistically reminiscent of Van Allsburg's soft-edged paintings, while conceptually they recall Sendak's transformation of Max's room into a forest in Where the Wild Things Are. A well-designed mood piece with story hour possibilities. ~--Carolyn Phelan