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Summary
Summary
"This is a story intimately and compassionately toldagainst the sensuous background of everyday life in Bombay." --Washington Post Book World
"Bracingly honest." --New York Times Book Review
The author of Bombay Time,If Today Be Sweet, and The Weight of Heaven, Thrity Umrigar is at adept andcompelling in The Space Between Us--vividlycapturing the social struggles of modern India in a luminous, addictivelyreadable novel of honor, tradition, class, gender, and family. A portrayal oftwo woman discovering an emotional rapport as they struggle against theconfines of a rigid caste system, Umrigar'scaptivating second novel echoes the timeless intensity of ZoraNeale Hurston's Their Eyes Were WatchingGod, Betty Smith's A Tree Grows inBrooklyn, and Barbara Kingsolver's ThePoisonwood Bible--a quintessential triumph of modern literary fiction.
Author Notes
Thrity Umrigar is an Indian-American writer, who was born in Mumbai. She received her Bachelors of Science from Bombay University. She immigrated to the United States when she was 21.She then went on to earn her M.A. From Ohio State and her Phd from Kent State University. She is a journalist and the author of the novels Bombay Time, The Space Between Us and The Weight of Heaven. She has written for the Washington Post, Cleveland Plain Dealer, among other newspapers, and regularly writes for The Boston Globe 's book pages. She is currently assistant professor of English at Case Western Reserve University where she teaches creative writing and literature. She was a winner of the Nieman Fellowship to Harvard University. She has a Ph.D. in English and lives in Cleveland, Ohio. Her title Space Between Us made The New York Times Best Seller List for 2011.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Umrigar's schematic novel (after Bombay Time) illustrates the intimacy, and the irreconcilable class divide, between two women in contemporary Bombay. Bhima, a 65-year-old slum dweller, has worked for Sera Dubash, a younger upper-middle-class Parsi woman, for years: cooking, cleaning and tending Sera after the beatings she endures from her abusive husband, Feroz. Sera, in turn, nurses Bhima back to health from typhoid fever and sends her granddaughter Maya to college. Sera recognizes their affinity: "They were alike in many ways, Bhima and she. Despite the different trajectories of their lives-circumstances... dictated by the accidents of their births-they had both known the pain of watching the bloom fade from their marriages." But Sera's affection for her servant wars with ingrained prejudice against lower castes. The younger generation-Maya; Sera's daughter, Dinaz, and son-in-law, Viraf-are also caged by the same strictures despite efforts to throw them off. In a final plot twist, class allegiance combined with gender inequality challenges personal connection, and Bhima may pay a bitter price for her loyalty to her employers. At times, Umrigar's writing achieves clarity, but a narrative that unfolds in retrospect saps the book's momentum. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Set in contemporary Bombay, Umrigar's second novel (Bombay Time, 2001) is an affecting portrait of a woman and her maid, whose lives, despite class disparity, are equally heartbreaking. Though Bhima has worked for the Dubash family for decades and is coyly referred to as "one of the family," she nonetheless is forbidden from sitting on the furniture and must use her own utensils while eating. For years, Sera blamed these humiliating boundaries on her husband Feroz, but now that he's dead and she's lady of the house, the two women still share afternoon tea and sympathy with Sera perched on a chair and Bhima squatting before her. Bhima is grateful for Sera, for the steady employment, for what she deems friendship and, mostly, for the patronage Sera shows Bhima's granddaughter Maya. Orphaned as a child when her parents died of AIDS, Bhima raised Maya and Sera saw to her education. Now in college, Maya's future is like a miracle to the illiterate Bhima--her degree will take them out of the oppressive Bombay slums, guaranteeing Maya a life away from servitude. But in a cruel mirror of Sera's happiness--her only child Dinaz is expecting her first baby--Bhima finds that Maya is pregnant, has quit school and won't name the child's father. As the situation builds to a crisis point, both women reflect on the sorrows of their lives. While Bhima was born into a life of poverty and insurmountable obstacles, Sera's privileged upbringing didn't save her from a husband who beat her and a mother-in-law who tormented her. And while Bhima's marriage begins blissfully, an industrial accident leaves her husband maimed and an alcoholic. He finally deserts her, but not before he bankrupts the family and kidnaps their son. Though Bhima and Sera believe they are mutually devoted, soon decades of confidences are thrown up against the far older rules of the class game. A subtle, elegant analysis of class and power. Umrigar transcends the specifics of two Bombay women and creates a novel that quietly roars against tyranny. Copyright ©Kirkus Reviews, used with permission.
Booklist Review
Sera Dubash is an upper-middle-class Parsi housewife in modern-day Bombay. Bhima is her domestic servant. Though they inhabit dramatically different worlds, the two women have much in common. Both married men they alternately love and loathe: Sera's moody husband frequently beats her, and Bhima's betrothed falls into an alcohol-drenched depression after losing his job. Sera's civil treatment of her servant--she overlooks Bhima's frequent tardiness and treats her like an equal--dismays her neighbors and friends. She also offers to fund the college education of Bhima's granddaughter, Maya, whom Bhima adopted when the girl's mother died of AIDS. The bond between the two women deepens when Sera (whose own daughter is happily wed and expecting her first child) arranges an abortion for unmarried Maya. Veteran journalist and Case Western Reserve professor Umrigar ( Bombay Time, 2001) renders a collection of compelling and complex characters, from kind, conflicted Sera to fiercely devoted Bhima (the latter is based on the novelist's own childhood housekeeper). Sadness suffuses this eloquent tale, whose heart-stopping plot twists reveal the ferocity of fate. As Bhima sits at her dying daughter's side, a fellow hospital visitor speaks the simple, brutal truth: Here, we have all hit the jackpot for grief. --Allison Block Copyright 2006 Booklist
Library Journal Review
Journalist Umrigar (Bombay Time) evocatively describes daily life in two very different households in modern-day Bombay, where the traditions that separate the classes and the sexes still persist. The relationship between Sera Dubash, an upper-class Parsi housewife, and Bhima, her servant, is full of contradictions. They talk over cups of tea like girlfriends, but Bhima must squat on the floor using her own cup, while Sera sits on a chair. Bhima is loyal to Sera, but sometimes has to talk herself through minor humiliations and slights from her employer by reminding herself how generous this woman has always been to her. While money and class keep these two from fully bridging the gap between them, they remain closer than either of them can fully see, for as women, they suffer equally the abuse of men, the loss of love, and the joys and sorrows of motherhood. Umrigar beautifully and movingly wends her way through the complexities and subtleties of these unequal but caring relationships. Recommended for all fiction collections. [See Prepub Alert, LJ 9/15/05.]-Joy Humphrey, Pepperdine Univ. Law Lib., Malibu, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.