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Summary
Summary
They call it the Academy. A secluded, cliff-top mansion overlooking the rugged Pacific coast. A school for children gifted -- or cursed -- with extraordinary minds. Children soon to come under the influence of an intelligence even more brilliant than their own -- and unspeakably evil. For within this mind a dark plan is taking form. A plan so horrifying, no one will believe it. No one but the children. And for them it is already too late. Too late, unless one young student can resist the seductive invitation that will lead... into the Shadows.
Summary
They call it the Academy. A secluded, cliff-top mansion overlooking the rugged Pacific coast. A school for children gifted -- or cursed -- with extraordinary minds. Children soon to come under the influence of an intelligence even more brilliant than their own -- and unspeakably evil. For within this mind a dark plan is taking form. A plan so horrifying, no one will believe it. No one but the children. And for them it is already too late. Too late, unless one young student can resist the seductive invitation that will lead... into the Shadows.
Summary
They call it the Academy. A secluded, cliff-top mansion overlooking the rugged Pacific coast. A school for children gifted -- or cursed -- with extraordinary minds. Children soon to come under the influence of an intelligence even more brilliant than their own -- and unspeakably evil. For within this mind a dark plan is taking form. A plan so horrifying, no one will believe it. No one but the children. And for them it is already too late. Too late, unless one young student can resist the seductive invitation that will lead... into the Shadows .
Author Notes
Saul has several major themes in his horror fiction; children as victims, and sometimes perpetrators, of evil; technology used for horrific ends; and occult occurrences (is it something external or internal that causes the horrible things to happen to his characters?). While Saul's earlier work has been noted for its extremely gruesome quality, in his later writing Saul is trying to restrain that aspect of his fiction. Often his plots revolve around hidden, secret evil that is discovered by an innocent person, who must then battle against seemingly impossible odds to defeat the demon.
(Bowker Author Biography)
Saul has several major themes in his horror fiction; children as victims, and sometimes perpetrators, of evil; technology used for horrific ends; and occult occurrences (is it something external or internal that causes the horrible things to happen to his characters?). While Saul's earlier work has been noted for its extremely gruesome quality, in his later writing Saul is trying to restrain that aspect of his fiction. Often his plots revolve around hidden, secret evil that is discovered by an innocent person, who must then battle against seemingly impossible odds to defeat the demon.
(Bowker Author Biography)
Saul has several major themes in his horror fiction; children as victims, and sometimes perpetrators, of evil; technology used for horrific ends; and occult occurrences (is it something external or internal that causes the horrible things to happen to his characters?). While Saul's earlier work has been noted for its extremely gruesome quality, in his later writing Saul is trying to restrain that aspect of his fiction. Often his plots revolve around hidden, secret evil that is discovered by an innocent person, who must then battle against seemingly impossible odds to defeat the demon.
(Bowker Author Biography)
Reviews (6)
Publisher's Weekly Review
After a very slow first half, Saul ( Darkness , The God Project ) picks up the pace and delivers aword? tense, high-tech psychological suspense thriller. Ten-year-old genius Josh MacCallum is bored, lonely and almost always angry at his older, teasing classmates. After he attempts suicide, his frantic single mother jumps at the chance to enroll him in the Academy, a school for very gifted kids in Northern California. Run by aloof Dr. Engersol and matronly housemother HildieHildie not Hidie/eed , the school, which occupies an old mansion, offers Josh a friend in another `fellow genius' awk when describing a woman genius, Amy Carlson. Trouble surfaces when a 12-year-old kills himself, but calm returns as Hildie dispenses hugs and common sense. Soon after Josh and Amy are picked for an advanced ``seminar,'' Engersol and Hildie are revealed as nasty and the mad-scientist plot hurtles to a violent conclusion featuring dueling brains?? Josh and Amy's? unclear You're absolutely right but i'm afraid it will have to stand as is. I can't reach the reviewer, and altho I have the galley, connected to a mainframe computer. The novel's padded beginning and only serviceable prose are tolerable `lesser' implies comparison w greater flaws, not w virtues flaws in light of Saul's chilling conceit, Hildie's jarring comeuppance and a delightful final twist. 150,000 first printing. (June) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Donovan's Brain meets The Lawnmower Man. Bestseller horror novelist Saul (Second Child, Darkness, Creature, etc.) lands on the money again with one of his best--or least offensive--tales of psychological suspense. What's more, he's tuned in with Stephen King's current smash movie The Lawnmower Man, with a plot that turns in part on the novelty of computerized Virtual Reality games. Even more, his ending is ``virtually'' identical with the film's. Readers with long memories will recall Curt Siodmak's once vastly well-known, thrice-filmed story Donovan's Brain, about a scientist dominated by a dead industrialist's brain that he keeps alive in his lab. In Saul's story, a gothicky California genius academy for gifted kids is having trouble with suicide-prone students, and the deaths are piling up. Ten-year-old Josh MacCallum's best friend at the academy is Amy Carlson, though he's also buddies with the Aldritch twins, Jeff and Adam, who try to suck him into their Virtual Reality game. Then Adam kills himself, throwing himself in front of a train at night. But did he? Well, his body is crushed. But it seems that the suicides at the academy were also the smartest students, which includes the twins and suggests that IQ chartbusters Josh and Amy are marked for death. But...really? Well, no--because the academy's president, evil Dr. George Engersol, and his warm-smiling, ice- water housekeeper Hildie Kramer have been faking the suicides after removing the victim's...well, should we tell you?...and keeping it alive and blooming in a secret lab where the ``dead'' are plugged into the world's greatest computer, a Croyden, and can operate it by tiny impulses and create...virtual...reality.... Small-scale but a grabber, despite bedrock banality.
Booklist Review
Ten-year-old Josh MacCallum is a genius, 'way too much of a genius for the public schools of Eden, California, in which teachers treat him like a brilliant pet and peers bully him unmercifully. After he attempts suicide, his husband-abandoned mother, Brenda, finds out about Barrington Academy, a boarding school that so much wants kids like Josh that tuition is nominal or waived. It seems like a godsend, at least until Brenda finds out that Josh's suicide attempt is a positive factor in favor of his acceptance by the school. Shortly after Josh starts, another boy plants himself squarely in front of a speeding train. Brenda's not the only suspicious parent, but the dead boy's inquisitive mom and dad die in a mysterious accident when they try to remove their other son from the academy. Saul's latest is ultimately a variation upon Curt Siodmak's oft-filmed and -imitated but now risibly naive Donovan's Brain. Until that secret is revealed, it gets a lot of sympathetic mileage out of Josh's predicament as a poor child suffering the cruel social stigma placed on him because of something he can't help, that is indeed a virtue. Hoity-toity horror fans justifiably prefer Stephen King and John Farris, but Saul's grade-B charms remain readably--and bestsellingly--charming. (Reviewed May 1, 1992)0553074741Ray Olson
Publisher's Weekly Review
After a very slow first half, Saul ( Darkness , The God Project ) picks up the pace and delivers aword? tense, high-tech psychological suspense thriller. Ten-year-old genius Josh MacCallum is bored, lonely and almost always angry at his older, teasing classmates. After he attempts suicide, his frantic single mother jumps at the chance to enroll him in the Academy, a school for very gifted kids in Northern California. Run by aloof Dr. Engersol and matronly housemother HildieHildie not Hidie/eed , the school, which occupies an old mansion, offers Josh a friend in another `fellow genius' awk when describing a woman genius, Amy Carlson. Trouble surfaces when a 12-year-old kills himself, but calm returns as Hildie dispenses hugs and common sense. Soon after Josh and Amy are picked for an advanced ``seminar,'' Engersol and Hildie are revealed as nasty and the mad-scientist plot hurtles to a violent conclusion featuring dueling brains?? Josh and Amy's? unclear You're absolutely right but i'm afraid it will have to stand as is. I can't reach the reviewer, and altho I have the galley, connected to a mainframe computer. The novel's padded beginning and only serviceable prose are tolerable `lesser' implies comparison w greater flaws, not w virtues flaws in light of Saul's chilling conceit, Hildie's jarring comeuppance and a delightful final twist. 150,000 first printing. (June) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Donovan's Brain meets The Lawnmower Man. Bestseller horror novelist Saul (Second Child, Darkness, Creature, etc.) lands on the money again with one of his best--or least offensive--tales of psychological suspense. What's more, he's tuned in with Stephen King's current smash movie The Lawnmower Man, with a plot that turns in part on the novelty of computerized Virtual Reality games. Even more, his ending is ``virtually'' identical with the film's. Readers with long memories will recall Curt Siodmak's once vastly well-known, thrice-filmed story Donovan's Brain, about a scientist dominated by a dead industrialist's brain that he keeps alive in his lab. In Saul's story, a gothicky California genius academy for gifted kids is having trouble with suicide-prone students, and the deaths are piling up. Ten-year-old Josh MacCallum's best friend at the academy is Amy Carlson, though he's also buddies with the Aldritch twins, Jeff and Adam, who try to suck him into their Virtual Reality game. Then Adam kills himself, throwing himself in front of a train at night. But did he? Well, his body is crushed. But it seems that the suicides at the academy were also the smartest students, which includes the twins and suggests that IQ chartbusters Josh and Amy are marked for death. But...really? Well, no--because the academy's president, evil Dr. George Engersol, and his warm-smiling, ice- water housekeeper Hildie Kramer have been faking the suicides after removing the victim's...well, should we tell you?...and keeping it alive and blooming in a secret lab where the ``dead'' are plugged into the world's greatest computer, a Croyden, and can operate it by tiny impulses and create...virtual...reality.... Small-scale but a grabber, despite bedrock banality.
Booklist Review
Ten-year-old Josh MacCallum is a genius, 'way too much of a genius for the public schools of Eden, California, in which teachers treat him like a brilliant pet and peers bully him unmercifully. After he attempts suicide, his husband-abandoned mother, Brenda, finds out about Barrington Academy, a boarding school that so much wants kids like Josh that tuition is nominal or waived. It seems like a godsend, at least until Brenda finds out that Josh's suicide attempt is a positive factor in favor of his acceptance by the school. Shortly after Josh starts, another boy plants himself squarely in front of a speeding train. Brenda's not the only suspicious parent, but the dead boy's inquisitive mom and dad die in a mysterious accident when they try to remove their other son from the academy. Saul's latest is ultimately a variation upon Curt Siodmak's oft-filmed and -imitated but now risibly naive Donovan's Brain. Until that secret is revealed, it gets a lot of sympathetic mileage out of Josh's predicament as a poor child suffering the cruel social stigma placed on him because of something he can't help, that is indeed a virtue. Hoity-toity horror fans justifiably prefer Stephen King and John Farris, but Saul's grade-B charms remain readably--and bestsellingly--charming. (Reviewed May 1, 1992)0553074741Ray Olson