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Summary
Summary
Far below subways of New York City is a maze of long-forgotten tunnels connecting the rooms where the Downsiders live. Every Downsider knows that contact with the Topside is strictly forbidden, but 14-year-old Talon finds himself strangely drawn to the surface. When he befriends a lonely Topsider named Lindsay, their two worlds collide in an earth-shattering way. A Jr. Library Guild selection.
Author Notes
Neal Shusterman was born in Brooklyn, New York on November 12, 1962. He received degrees in psychology and drama from the University of California, Irvine. Within a year of graduating, he had his first book deal and a screenwriting job. He has written numerous books including The Dark Side of Nowhere, Red Rider's Hood, The Shadow Club, The Shadow Club Rising, The Eyes of Kid Midas, Shattered Sky, Unwind, and Antsy Does Time. He won the National Book Award for Young People's Literature in 2015 for Challenger Deep. He also writes several series including the Skinjacker Trilogy, the Star Shards Chronicles, and the Unwind Dystology. As a screen and television writer, he has written for the Goosebumps and Animorphs television series, and wrote the Disney Channel Original Movie Pixel Perfect.
(Bowker Author Biography)
Reviews (4)
School Library Journal Review
Gr 8 Up-The Downsiders live in a subterranean world far beneath New York City. Taboos forbid them from going Topside, but the two worlds collide when Talon, a Downside teen, ventures up looking for medicine for his critically ill sister. There, he meets Lindsay, a Topside girl who intrigues him so much that he breaks a cardinal rule and takes her into the tunnels, showing her an amazing place filled with cast-off items-dryer lint, subway tokens, soda-can tabs-that have become useful, even beautiful. Her visit sets in motion a dangerous chain of events. Talon's friend betrays him to the authorities and Talon is sentenced to death (by being flushed through a sewer pipe). The story takes a fascinating twist when Lindsay discovers that Downside was founded about 100 years ago by Alfred Ely Beach, a 19th-century inventor and scientist. Facts about this historical figure and about the old New York subway system are blended with the fantasy until it is difficult to tell where truth stops and fiction begins. Unfortunately, there is no afterword to explain the connections and readers might miss the fun. There is also a good deal of sophisticated social satire, as Topside is seen through naive underworld eyes. Sometimes the plot lapses too far into the absurd and there are a few weak spots. The often mock-serious tone of the narrative may be lost on some readers. Overall, though, this is an exciting and entertaining story that will please fans of adventure, science fiction, and fantasy.-Bruce Anne Shook, Mendenhall Middle School, Greensboro, NC (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
History and urban folklore are wittily combined in Shusterman's (The Eyes of Kid Midas) well-wrought fantasy, centering on an alternative society that thrives undisturbed in the subterranean recesses of New York City. Despite stringently enforced rules against mixing with "Topsiders," 14-year-old Talon sneaks aboveground into an Upper East Side townhouse. There he meets Lindsay, also 14, whose self-absorbed, divorced mom has left her with her equally inattentive dad "for all eternity." The friendless girl quickly forms a bond with the pale, otherworldly boy, and when he finds her again, she eagerly goes with him to tour his underground universe. However, Lindsay's presence, as well as some historical information she unearths, are as threatening to the Downsiders as the excavations for her father's West Side aqueduct project. Amidst the thrills and insider humor (Downsiders eat throgsneck soup and have hunted sewer alligators to extinction), Shusterman offers a crisply written coming-of-age story with a message worth pondering: "Better that the truth be like the moonÄa bright sphere only showing half of its face at a time, leaving the rest to be uncovered fragment by fragment, in its own proper time." Ages 10-up. (June) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
Beneath the city of New York, an underground culture thrives. Talon, a teenage Downsider, journeys to the Topside seeking medicine for his ill sister. There he meets Manhattan newcomer Lindsay, an event that causes the two worlds to collide. The novel paints an inventive picture of Downsider civilization, but elements of humor and sarcasm in the storytelling make this an uneven hybrid of fantasy and parody. From HORN BOOK Fall 1999, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Shusterman (The Dark Side of Nowhere, 1997, etc.) twines suspense and satire through this ingenious tale of a secret community living deep beneath the streets of New York City. The boundaries of Lindsay's lonely, friendless world expand suddenly when she meets Talon Angler, an oddly clad teenager who claims to have come from ``Downside'' in search of medicine for his sick little sister. Against his better judgement, Talon takes Lindsay on a forbidden tour of his own world, a subterranean maze of tunnels and chambers where he and 5,000 others live in peace and comfort, knowing ``Topside'' only from old tales and occasional peeks through street drains. Spinning Downside's origin from actual events in New York history, Shusterman creates a plausibly complex society with its own art, customs, and assumptions, then turns to view Topside culture, both through Downsider eyes and with a more general, broadly comic, vision. Despite frequent doses of social commentary, the pace never flags; their isolation breached by a Topsider aqueduct project, the Downsiders respond by cutting off all utilities (oblivious, New Yorkers respond with a huge block party), then, under Talon's leadership, filling upper levels with natural gas and setting it off. Urban readers, at least, will be checking the storm drains for peering faces in the wake of this cleverly envisioned romp. (Fiction. 11-15)