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Summary
Author Notes
Stephen King was born in Portland, Maine, on September 21, 1947. After graduating with a Bachelor's degree in English from the University of Maine at Orono in 1970, he became a teacher. His spare time was spent writing short stories and novels.
King's first novel would never have been published if not for his wife. She removed the first few chapters from the garbage after King had thrown them away in frustration. Three months later, he received a $2,500 advance from Doubleday Publishing for the book that went on to sell a modest 13,000 hardcover copies. That book, Carrie, was about a girl with telekinetic powers who is tormented by bullies at school. She uses her power, in turn, to torment and eventually destroy her mean-spirited classmates. When United Artists released the film version in 1976, it was a critical and commercial success. The paperback version of the book, released after the movie, went on to sell more than two-and-a-half million copies.
Many of King's other horror novels have been adapted into movies, including The Shining, Firestarter, Pet Semetary, Cujo, Misery, The Stand, and The Tommyknockers. Under the pseudonym Richard Bachman, King has written the books The Running Man, The Regulators, Thinner, The Long Walk, Roadwork, Rage, and It. He is number 2 on the Hollywood Reporter's '25 Most Powerful Authors' 2016 list.
King is one of the world's most successful writers, with more than 100 million copies of his works in print. Many of his books have been translated into foreign languages, and he writes new books at a rate of about one per year. In 2003, he received the National Book Foundation Medal for Distinguished Contribution to American Letters. In 2012 his title, The Wind Through the Keyhole made The New York Times Best Seller List. King's title's Mr. Mercedes and Revival made The New York Times Best Seller List in 2014. He won the Edgar Allan Poe Award in 2015 for Best Novel with Mr. Mercedes. King's title Finders Keepers made the New York Times bestseller list in 2015. Sleeping Beauties is his latest 2017 New York Times bestseller.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Following King's triumphant return to the world of gory horror in Cell, the bestselling author proves he's still the master of supernatural suspense in this minimally bloody but disturbing and sorrowful love story set in rural Maine. Lisey's husband, Pulitzer Prize-winning author Scott Landon, has been dead for two years at the book's start, but his presence is felt on every page. Lisey hears him so often in her head that when her catatonic sister, Amanda, begins speaking to her with Scott's voice, she finds it not so much unbelievable as inevitable. Soon she's following a trail of clues that lead her to Scott's horrifying childhood and the eerie world called Boo'ya Moon, all while trying to help Amanda and avoid a murderous stalker. Both a metaphor for coming to terms with grief and a self-referencing parable of the writer's craft, this novel answers the question King posed 25 years ago in his tale "The Reach": yes, the dead do love. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
The widow of a bestselling novelist reveals that the wellspring for his ideas is a very dark place, indeed. First and last, this is a powerful love story--and love causes people to do strange and remarkable things. It has been two years since legendary novelist Scott Landon died. His widow, Lisey, has finally summoned the strength to begin clearing and cataloguing his workspace. It is a significant metaphor that Scott and Lisey never had children. Instead, their coupling allowed him to produce numerous novels that thrilled readers. His bestselling works are filled with raw emotion. Academic vultures circle the widow, desperate for access to Scott's massive archive of unpublished works, notes and secrets. And some of those secrets are worth killing for. Only Lisey knows the source of Scott's magic, the place where imagination runs wild, the place called Boo'Ya Moon. Scott and Lisey shared a life full of passion, but his death has left a void in her life. She is adrift, confused and stalked by supernatural forces. Incunks prowl, while Lisey chases bools and ducks blood-bools. Sometimes it is unclear where her reality stops and her imagination takes over. Battling against Scott's legacy, Lisey also comes face to face with her own demons at the edge of Boo'Ya Moon. King is surprisingly introspective and mature here. He showcases the agony and the ecstasy of the writing process. Where Misery (1987) looked at the relationship between writer and fan, this time it is that of the writer and his one true love. There seems to be much of King in the character of Scott (although Scott is both a Pulitzer- and National Book Award-winner). Pain and suffering are Scott's literary trademarks. The Buddha taught that the end of suffering is supreme happiness. When King finally reveals Lisey's fate, we all reach the same destination in Boo'Ya Moon. One of King's finest works. Copyright ©Kirkus Reviews, used with permission.
Booklist Review
In the two years since her husband Scott's sudden death, professors and collectors mad to lay their hands on his unpublished manuscripts and letters, those of one of the most successful and lauded writers of his generation, have besieged Lisey (rhymes with CeeCee) Landon. The last of them, initially ingratiating, wound up threatening her. That decided her to prepare Scott's papers for donation to an appropriate archive. In the midst of doing that, she gets an answering machine message, then a telephone call and a written note, as well as a dead cat in the mailbox, from a grammatically challenged man who says he'll hurt her places you didn't let the boys to touch at the junior high dances. Fortunately, she's been hearing Scott's voice lately, more than in recollection, and it leads her back to a place, another dimension, that he'd told her about but that she'd forgotten. The boy Scott and his long-dead brother went there to escape their sometimes psychopathic father; the grown-up Scott, to heal from many wounds, including those from a shooting that would have been fatal if Lisey hadn't intervened. It is paradisiacally beautiful but dangerous at night, when weird, savage creatures hunt in it. In this long, often long-feeling, utterly Stephen Kingish novel, Scott's strange and eventful past is thoroughly recovered, and Lisey's strength is revealed and confirmed, though not before the maniac does indeed hurt her. The book is also, perhaps, a parable about love and imagination that affirms love as the more salvific of the two. --Ray Olson Copyright 2006 Booklist
Library Journal Review
King's latest is a love story with supernatural elements. Lisey Landon, who has long been the unassuming woman of strength behind the fame of her novelist husband, Scott, emerges to tell the story of their marriage and her widowhood. She is in the process of finally dealing with Scott's books and papers when she is brought up short by a series of threats from a psychopathic fan, by the mental health crisis of her sister Amanda, and by clues set by her late husband leading her on a posthumous "bool"-hunt. Unfortunately, King's use of fabricated words, which on one level effectively portrays the intimate language of a close marriage and is perhaps only slightly irritating on the printed page, become distractingly so when read out loud. Extraordinarily long pauses in the narration (the listener imagining whole pages left blank in the printed book) are similarly annoying. Still, actress Mare Winningham successfully voices a variety of characters in a wide range of emotional states, and King never fails to tell a story that is well paced and thoroughly engaging. Recommended for most libraries.-Kristen L. Smith, Loras Coll. Lib., Dubuque, IA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.