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Library | Call Number | Status |
|---|---|---|
Searching... Monmouth Public Library | YOLEN | Searching... Unknown |
Searching... Newberg Public Library | SPARKLY YOLEN | Searching... Unknown |
Searching... Newberg Public Library | SPARKLY YOLEN | Searching... Unknown |
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Summary
Summary
Long ago, unicorns lived in a haven of sun-dappled glades and flower-filled dells. But as civilization spread over the ages -- with its fierce knights, its chugging trains, its thick smogs -- unicorns had to find a new sanctuary.Where?Jane Yolen finds a magical answer in the traditional unicorn myth. Her rhythmic, rhymed text is irresistible to read aloud. And Ruth Sanderson's brilliant artwork gives unicorns a bold reality in everything from ancient cave paintings to their secret, present-day home. After reading this tribute to the mystical, mysterious unicorn, children will enjoy looking for these elusive creatures in the world around them.
Author Notes
Jane Yolen was born February 11, 1939 in New York City. She received a bachelor's degree from Smith College in 1960 and a master's degree in education from the University of Massachusetts in 1976. After college, she became an editor in New York City and wrote during her lunch break. She sold her first children's book, Pirates in Petticoats, at the age of 22. Since then, she has written over 300 books for children, young adults, and adults.
Her other works include the Emperor and the Kite, Owl Moon, How Do Dinosaurs Say Goodnight? and The Devil's Arithmetic. She has won numerous awards including the Kerlan Award, the Regina Medal, the Keene State Children's Literature Award, the Caldecott Medal, two Nebula Awards, two Christopher Medals, the World Fantasy Award, three Mythopoeic Fantasy Awards, the Golden Kite Award, the Jewish Book Award, the World Fantasy Association's Lifetime Achievement Award, and the Association of Jewish Libraries Award.
(Bowker Author Biography)
Reviews (3)
School Library Journal Review
K-Gr 4-A purposeful poem poses the question and gives its own answers in words and pictures. The unicorns have fled and disappeared into the sea before the worst aspects of civilization-war, deforestation, industrialization, and overpopulation-threaten their existence. The poem reads aloud well. The onomatopoeic descriptions ("clacketing mills" and "chuggering trains") and alliterative phrases ("ribbon-rolled river" and "perfect peace of ponds") roll pleasantly off the tongue. However, some of the language, e.g., "Routed by gouts of iron-red flames" and "the cataphonetics of city and town," seems rhetorically ornate. The illustrator's extravagant, romanticized double-page spreads are as grandiose as the poetry, using a complex method of layering oils on gessoed Masonite panels, sometimes textured with pumice gel and modeling paste. Overall, there is no real plot and what strives to be inspiring seems ultimately pretentious. Marianna Mayer's The Unicorn and the Lake (Dial, 1982; o.p.) is more touching and compelling and Michael Hague's unicorns are more powerfully rendered.-Kate McClelland, Perrot Memorial Library, Old Greenwich, CT (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Horn Book Review
A gentle rhyme that incorporates some unusual words describes the flight of the unicorns, as they move away from human habitations and into waterways and seas. The illustrations juxtapose scenes of the mythical creatures in the wild against images that show the growth of civilization. Some may find the environmental message heavy-handed, but readers who enjoy unicorn lore will appreciate this new vision of an old theme. From HORN BOOK Spring 2001, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
Ages 6^-8. A gifted wordsmith answers the title question in verse set to Sanderson's most powerful, expressive art to date. Where are the unicorns? Fleeing the "helmeted knights and their steel-weapon games," the "clacketing mills" and "iron sharp city-straight scapes," the unicorns have escaped to the sea, where "in the moment that separates nighttime and dawn, / The instant of daydream that's here and then gone, / You might see the toss of a mane or a horn. . . ." Using rough, prepared surfaces to capture texture, Sanderson adds layers of misty color to create a feeling of depth between the powerful, iridescent-looking beasts in the foreground, and the human works--castles, factories, a space shuttle roaring up from its launch pad--past which they gallop. The grand, lyrical sweep of poem and pictures together will carry readers to a place where the mundane and the magical blend. --John PetersReference Books Bulletin