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Summary
Summary
A for . . . Achoo?
B for Bump, Bang, and Bop?
C for Crackle, Clank, and Crunch?
This is truly an alphabet with attitude, created by that master of raucous humor, Ross MacDonald. In this hilarious book you'll see clothes ripped off an intrepid game hunter by a ferocious lion ( ROAR! RIP! RUN! ); a little boy who manages to pin the tail on his father, rather than the donkey. ( NO! OH! OOPS! OW! ); and an exceedingly plump Santa being crammed down the chimney ( JINGLE! JINGLE! JINGLE! ).
But wait! There's more! All the words in this book where set in 19th-century wood type and printed in blazing color on a handpress, creating extraordinary visual effects. An endnote accompanied by photographs describes the process and serves as a fascinating introduction to a disappearing craft
Author Notes
Ross MacDonald has worked as an egg candler, dishwasher, soda jerk, house painter, street artist, papermaker, and printers. His magazine illustrations have appeared in The New Yorker , Vanity Fair , and many other publications. His first picture book for children, Another Perfect Day , was a Publishers Weekly Best Book of the Year.
Mr. MacDonald lives in Connecticut with his wife, two children, four cats, and a large collection of 19th-century type and printing equipment.
Reviews (5)
School Library Journal Review
PreS-Gr 1-With all the exuberance of a marching band, this "Noisy Alphabet" explodes on the page. From "Achoo!" to "Zip! Zap! Zing! Zoom!" MacDonald treats readers and listeners to a bounty of sounds and an abundance of visual humor. Santa's reindeer "jingle" as they jump on Santa's "jiggle" bottom to push him down a chimney, a child pins a tail on an adult on the "NO! OH! OWoops!" spread, and a lion roars as he rips off the back of a hunter's outfit to reveal a bare back and bottom on the running man, while "The End" is the proverbial plump workman's rear. A two-page note explains how the text was created using antique wood type and a vintage printing press. The illustrations, done in an old-fashioned cartoon style, were added after in a warm rainbow palette that totally supports the text. Amid the plethora of alphabet books, Achoo! Bang! Crash! is hard to ignore, easy to appreciate, and sure to delight the young. Pair it with Bill Martin, Jr.'s Chicka Chicka Boom Boom (S & S, 1989) for a raucous alphabetic read-aloud.-Jody McCoy, The Bush School, Seattle, WA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In a delirious explosion of vintage typefaces and sharp retro design, MacDonald (Another Perfect Day) goes from "A-choo!" to "Zip! Zap! Zing! Zoom." Every pictured situation has a slapstick bent and the onomatopoeia recalls classic biff-bang-pow comic-book fights. For the letter "F," a man steps on a rake ("Fa-dwap! Fwip!"), and for "L," a Valkyrie sings an operatic, sunset-orange "Lah!" (which fills an entire page) as she "leap[s]" from the stage. Given all the noise, some cartoon violence occurs, but it is mild(a young Robin Hood, for instance, shoots a suction-cup-tipped arrow at an enormous red-breasted bird: "Twang! Thwak! Tweet!"). Although each single-page image stands still, MacDonald's deft placement of word-sounds and motion lines suggests antic movement. By examining the positions of a grinning green dragon, a pudgy dappled steed and a fallen knight ("Klip! Klop! Klang! Klank! Ka-pow!"), readers can imagine how the horse galloped up the dragon's spiny back, skidded to a halt and threw its rider. MacDonald salutes 1930s and '40s comic strips with men in suits, devilish toddlers in cutesy ruffles, doe-eyed animals and oily, saturated hues of yellow, red-orange and blue. He block-prints the oversize, playful words with 19th-century wood type, which, according to an informative afterword, was "used to print early American circus posters, newspaper headlines, theater playbills, and `wanted' posters." MacDonald blends antique design traditions, an offhand history lesson and a pleasingly silly sense of humor in this idiosyncratic alphabet book. Hip hip hooray! Ages 3-6. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Primary) Beginning with an ""A...choo!"" so noisy that the pictured man in a suit sneezes his clothes right off, this alphabet book explodes with raucous humor. Each letter provides its own slapstick vignette, as in the letter F, in which another suited man steps onto a rake, smashing it into his face: ""FA-DWAP!"" The suits reflect the old-fashioned look of the illustrations, which resemble hand-tinted pictures of the 1940s, with cherubic, chubby-legged children and lots of lines radiating out to show motion. Most of the jokes involve someone seemingly smaller or less important, a child or an animal, triumphing comically over the larger and stronger. The letter M features two words, as a tiny beribboned kitten with a huge ""MEOW!"" causes a cow (with a very small ""moo!"") to beat a hasty retreat. Most of the words are onomatopoeic (thwack, twang, and tweet, for instance, accompany a picture of a little boy shooting a giant pigeon in the rump with a rubber arrow), and MacDonald exaggerates this effect greatly by playing with the words' appearance, using vibrant colors and a wide variety of type sizes and spacing to cue readers as to how the word should be read. Not every word is a perfect choice (gnaw with its silent g?), and gentler souls may not approve of the comic-style violence. However, many children prefer lively, funny books to more tasteful choices and will roar over every boisterous detail all the way to ""The End""--in which a little boy laughs at the man who has fallen through the ""The End"" sign and whose pants are slipping down. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Kirkus Review
Noise is a sure-fire theme in picture books and the cover alone will entice kids to this retro abecedarium akin to Brown's Noisy Book. The telling is in the type, literally, as word sounds, set in 19th-century wood type and printed in bright colors on a handpress, enact small scenes for each letter; e.g., H is visualized with a child pointing at a man wearing a tie, garters, and jacket but no shirt or pants, with the words "HAW" and "HEE HEE." Some displays are standard, like "GRRR," "GRUNT," "GROWL," while some are unusual like "FA-DWAP" and "FWIP." Q is the best; with the word "QUIET" superimposed on "QUACKS" as a toddler pulls a duck toy and a man holds his ears. Over 70 words are composed, each in a different typeface. The 1940/'50s illustration style. with pudgy-kneed, round-faced kids, provides effective backdrops for the dramatized sounds. The yellow-dominant palette against cream paper infuses energy into the actions, many containing monsters. Great potential for reading aloud and program sharing. Endnote describes the process. (Picture book. 4+) Copyright ©Kirkus Reviews, used with permission.
Booklist Review
K-Gr. 3. Old-fashioned, blocky typefaces and art reminiscent of early illustrated children's books characterize this energetic alphabet book. Children will have a blast calling out the noisy abecedarian words, and adults interested in the disappearing craft of mechanical printing will appreciate the effort that went into the design: the art was created using nineteenth-century wood type. Only one typeface is repeated, but given the variety of type styles, colors, and sizes used, it's nearly impossible to determine which one. Some of the words are invented (Fa-dwap! Fwip! is the noise heard when a man steps on the tines of a rake, causing the handle to smack him in the head), but vocabulary isn't the point here; it just adds fun. An author's note, complete with photographs, describes the mechanical printing process and how this particular art was created. --Diane Foote Copyright 2003 Booklist