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Searching... Monmouth Public Library | Fic Durham, D. 2005 | Searching... Unknown |
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Summary
Summary
An epic work of literary fiction about the superb military leader of Carthage, Hannibal Barca, and his struggle against the mighty Roman Republic. With a vast cast of characters and nationalities, twists of fate, and tales of inspired leadership, David Anthony Durham perfectly captures the legendary Hannibal's world in Pride of Carthage. Beginning in ancient Spain, where Hannibal's father had carved out a Carthaginian empire, the novel traces the origins of the war, the opening moves, and Hannibal's inspired choice to attack Rome via a land route most believed impossible. In graphic, panoramic prose, Durham describes the battles, including the icy slaughter of the Trebia; the mist-shrouded battle along Lake Trasimene; the battle of Cannae, in which Hannibal's outnumbered force surrounded and decimated seventy thousand Romans in a single afternoon; and Zama, the hard slog that proved to be the decisive contest. Along the way we meet a variety of major historical figures on both sides of the conflict, as well as characters representing the vast array of other ethnicities who played a part in the war: Iberians and Gauls, Numidians and Libyans, Macedonians and Moors. Hannibal's family is brought to life: his wife, mother, sisters, and young son, as is Publius Scipio, the young Roman who was the only match for Hannibal's genius on the field of battle -- and who eventually defeated him. Pride of Carthage is a stunning achievement in historical fiction, one that will transport readers to a world of mesmerizing authenticity of character, event, and detail.
Reviews (4)
Publisher's Weekly Review
Known for his novels of African-American life in 19th-century America (Gabriel's Story; Walk Through Darkness), Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. After Hannibal assumes command of the Carthaginian army in Spain and conquers the Roman city of Saguntum, Carthage refuses to accept Rome's demand that it abandon the city, precipitating the Second Punic War. In 218 B.C., Hannibal begins his daring march toward Rome, leading an army of upward of 100,000-complete with elephants and cavalry-over the Pyrenees, across the Rh?ne and through the snowcapped Alps. Ill prepared for the frigid weather, pummeled by avalanches and harassed by Celtic tribes, the army arrives in Italy reduced to perhaps 30,000. Against all odds, Hannibal brings his soldiers through the tortuous marshes of the Arno, and traps and massacres a large Roman force at Lake Trasimene and again at Cannae. The novel's grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies, as well as by the stories of two humble characters: Imco Vaca, a soldier, and Aradna, a camp follower, who meet and fall in love as the saga moves inexorably toward an account of the beheading of Hannibal's brother and Hannibal's eventual defeat at the gates of Rome. Durham weaves abundant psychological, military and political detail into this vivid account of one of the most romanticized periods of history. (Jan. 18) Forecast: This will come as a surprise to fans of Durham's previous two novels, who won't necessarily find the subject matter congenial, but it should be easy to hand-sell to readers of classical and military historical fiction. (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
The Second Punic War of the third century b.c., which pitted the republic of Rome against the African empire of Carthage, is the rich subject of Durham's latest. As in its predecessors, Gabriel's Story (2000) and Walk Through Darkness (2002), racial contrast and conflict bulk large--particularly in the heart and mind of Carthaginian general Hannibal Barca, who follows the example of his late father, Hamilcar, by waging ongoing war against a foe that has swallowed up innumerable lesser nations and tribes ("It is Rome's actions I hate. It is the way Rome seeks to make slaves of all the world"). Durham's sweeping narrative re-creates several years' worth of crucial exploits, including Hannibal's legendary passage through the Alps employing elephants as transport, major victories on a blood-soaked riverbank and at the pivotal battle of Cannae, strategic advances toward Rome through the territories of friendly (or conquered) peoples, and the climactic Roman triumph at Zama, conceived and led by young Roman general Publius Scipio, and followed by Hannibal's return, emaciated and defeated, to an enfeebled Carthage. Durham has reimagined this vanished world in stunningly precise detail, and his lucid explanations of the give-and-take of military decision-making help the reader through some dauntingly complicated material. Nor is this novel merely a pageant: the author vividly portrays both Hannibal's driven resolve and Scipio's ruthless efficiency, as well as the conflicted emotions that rule several powerfully realized secondary figures. Among them are: Hannibal's brothers and comrades-in-arms Hanno, Hasdrubal, and Mago; his gentle, stoical wife Imilce and stern, demanding older sister Sapanibal; Massyli (i.e., Numidian) prince Masinissa, impelled by his hopeless love for an unattainable woman to a perilous conflict of loyalties; and boyish Carthaginian soldier Imco Vaca, who finds his manhood on the battlefield, while losing the woman who (perhaps hopelessly) awaits his return, as the long story ends. One of the best of the current crop of historical novels, and a career-making march forward for Durham. Copyright ©Kirkus Reviews, used with permission.
Booklist Review
Durham, the author of Gabriel's Story (2001), has crafted a grand recounting of the second Punic War. Fresh off a victory in Arbocala, Hannibal Barca, the great Carthaginian warrior, has set his sights on Saguntum, an ally of the growing Roman Empire. An attack on Saguntum will ultimately bring on a war with Rome, but this is what Hannibal longs for. Aided by his brothers, envious Hanno, pleasure-loving Hasdrubal, and shrewd Mago, Hannibal manages to sack the impenetrable city and with the blessing of Carthage begins the long march to Rome that will take him past treacherous Gauls, forbidding mountains, and inhospitable marshes. Durham depicts the great general as a fully rounded, complicated man: he's both a larger-than-life hero, propelled by his great ambition, and an ordinary man, who longs to be by his wife's side and regrets missing his beloved son's childhood. To give the reader a fuller picture of the war from all sides, Durham does not shortchange the lesser players in this great war: he develops characters such as Imco Vaca, a young man in Hannibal's army, who is ill-equipped for war; maimed Tusselo, seeking revenge against the Romans who enslaved him; and Aradna, a much-abused young woman who shadows the army. Durham's epic is truly a big, magnificent, sprawling story complete with a sizable cast of compelling characters, intricately drawn battle scenes, and fluid, graceful prose. --Kristine Huntley Copyright 2005 Booklist
Library Journal Review
Durham departs from 19th-century America, setting of his novels Gabriel's Story and Walk Through Darkness, to reimagine the life of Hannibal. Clearly, the ancient world is hot. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.