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Searching... Silver Falls Library | JP DUCHESNE | Searching... Unknown |
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Summary
Summary
A growing number of curious children discover their village's most enigmatic figure has an unexpectedly beautiful job to do in what The New York Times praises as "bewitching"
Every afternoon at four o'clock, Mister Rodriguez steps out of a narrow laneway and strolls through the street. The village children watch him go, ever more curious about the enigmatic old man with the bushy white mustache. Some say they've seen him float above the ground. Others say he played a piano without touching a single key. The truth, though, is more beautiful than any of the children could have imagined.
Author Christiane Duchesne and TD Canadian Children's Literature Award-winning illustrator François Thisdale bring a touching story to life with delicacy and heart.
Reviews (3)
School Library Journal Review
PreS-Gr 2--Children often notice things that adults do not, especially when they are out of the ordinary. Meet Mr. Rodriguez, an older man whose regular, predictable routine is familiar to the children in his small town. All at once, they begin noticing anomalies in his schedule and in his behavior: instead of walking, they see him floating down the street with a fishbowl on his head, and another time he skates down the street while pushing a dog in a sled. After several days of unusual behavior, Mr. Rodriguez disappears, ultimately appearing to the children one final time before he and his series of companions float off together into the sky. Crisp, vibrant illustrations form the foundation of this book, dominating each page and rendering the text secondary. Created with acrylics and digital media, the images include lifelike faces of children alongside detailed, richly colored illustrations. Though Mr. Rodriguez's behavior is unusual, the text only mildly remarks on that fact, remaining vague at the book's conclusion when the children determine that he may never return. The story line speaks to the reality of death in a whimsical way, introducing it by way of it occurring to someone known by the children in the book but not someone with whom they were particularly close. VERDICT Young children beginning to learn about the concept of death will find this book to be an easy introduction to this inevitability in their lives.--Mary Lanni, formerly at Denver Public Library
Publisher's Weekly Review
This surreal allegory unfolds on the streets of a seaside town as a group of children watch an elderly gentleman in an overcoat and a red scarf emerge "out of a narrow laneway." They see him every day, animals lingering nearby, but on Monday, something is different. "We held our breath. Was he waiting for someone?" A dove lands on Mister Rodriguez's shoe. He attaches a thread to her foot, and the two set off, the man half-floating above the cobblestones. Every morning that week, as the diverse children watch, Mister Rodriguez meets another animal--a goldfish, a weary sheepdog, a limping cat ("He tied a pair of wings to the old kitty's back")--and the pair rise in weightless, slow-moving flight. Acrylic and digitally altered artwork by Thisdale (Poetree) offers crisp, photographic realism, with misty skies of purple and green that suggest atmospheric otherworldliness. Though Montreal author Duchesne seems to be offering a way to think about the fate of beings who have died, a lack of clarity around whether the animals are initially living may confuse or alarm young readers. Ages 5--8. (Nov.)
Kirkus Review
Observed by village children, an elderly man prepares for death in this misty allegory.Mr. Rodriguez appears outdoors at 4 p.m. daily, communing with a different animal each day: a dove on Monday, a pet fish on Tuesday, an old sheepdog on Wednesday, a lame cat on Thursday. On Friday, a piano appears on the street, and Mr. Rodriguez sits atop it as "a fine melody flowed out to sea." Mr. Rodriguez levitates slightly above the cobbled streets along with the animals (and piano) he shepherds. On Saturday, Mr. Rodriguez fails to appear. The children rise early on Sunday to discover whether he's changed his routine. Their curiosity is rewarded: The elder appears on his piano, floating in the air, the animals arrayed around him. "He winked and pointed to the clouds in the distance." Duchesne adopts a first-person-plural narrative voice in which matter-of-fact declaratives bob against mild speculation and culminate in an unflappable conclusion: "He had gone away, probably forever. But we know he was happy." Thisdale's paintings depict a white-presenting Mr. Rodriguez and the coastal village's mutable sky, cerulean sea, whitewashed buildings, and omnipresent lighthouse. He sometimes duplicates and flips his images of the village's diverse children. With their precisely lit, unchanging or mirrored facial expressions, these recurring images convey, perhaps unintentionally, a robotic eeriness.This surreal allegory of death's release will intrigue some readers while puzzling others. (Picture book. 4-7) Copyright Kirkus Reviews, used with permission.