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Summary
Summary
The creators of THE RUNAWAY DINNER and PREVIOUSLY team up to imagine the comical world that comes to life when a lonely pencil starts to draw.
"One day that little pencil made a move, shivered slightly, quivered somewhat . . . and began to draw."
Welcome back Banjo, the boy from THE RUNAWAY DINNER! Once a pencil draws him, there's no telling what will come next -- a dog, a cat, a chase (of course), and a paintbrush to color in an ever-expanding group of family and friends. But it's not long before the complaints begin -- "This hat looks silly!" "My ears are too big!" -- until the poor pencil has no choice but to draw . . . an eraser. Oh no! In the hands of Allan Ahlberg and Bruce Ingman, can anything but havoc and hilarity ensue?
Author Notes
Allan Ahlberg was born in 1938 in South London, and grew up in the Black Country. He worked as a teacher, postman, grave digger, soldier and plumber's mate before he became a full-time writer.
He met his wife and creative partner, Janet at teacher training college. It was because Janet wanted to illustrate a book that Allan wrote his first book, the Brick Street boys. After that, together they wrote 37 books.
Janet died in 1994 and Ahlberg discontinued his writing career for a few years before picking it up again.
(Bowker Author Biography)
Reviews (5)
School Library Journal Review
K-Gr 2-"Once there was a pencil, a lonely little pencil, and nothing else." One day the pencil begins to draw. Before long it has created a world populated with rather cranky individuals, pets, and talking objects that make demands for names, food, companions, etc., and then begin to complain about everything they have received. The pencil tries to be accommodating and creates a paintbrush that adds color, to no avail. It draws an eraser to remove the offending items, which runs amok and erases everything. The pencil then comes up with a clever solution to prevent itself from being eliminated by the out-of-control eraser, and this time creates a more orderly world. This quirky story will appeal to children who have a slightly offbeat sense of humor, and it could easily be paired with Henrik Drescher's equally quirky Simon's Book (McAdam/Cage, 2006). Ingman's acrylic cartoon illustrations use a rich color palette and supply numerous details that complement the story. Not an essential purchase, but fun.-Grace Oliff, Ann Blanche Smith School, Hillsdale, NJ (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Starred Review. Both clever and suspenseful, this surefire delight tells the story of a pencil who must deal with the consequences of his inventions. The pencil begins by drawing a boy (Banjo from Ahlberg and Ingman's The Runaway Dinner), a dog and a cat--and their world soon expands dramatically (and colorfully, thanks to Kitty, a paintbrush the pencil creates). Complaints start to surface ( 'I shouldn't be smokinga pipe,' said a grandpa), but the pencil's solution--an eraser--runs rampant and tries to rub out everything, including the pencil. Ingman exuberantly conveys the joy of both construction and destruction--in one scene, animals and people flee on foot, bicycle and skateboard as the eraser wipes away the spare, yellow background. The book's comical, unexpected plot and wry narrator keep the story fresh throughout--a running joke involves each of the pencil's creations insisting on a name; those the pencil provides are largely nonsensical (the endpapers are filled with additional items--a bike named Augusta, a cuckoo clock named William). Tranquility reigns by book's end, but young readers are sure to be absorbed in finding out what happens next as the pencil draws his way out of one predicament after another. Ages 4-8. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved All rights reserved.
Horn Book Review
(Primary) In the beginning was the pencil. Then the pencil started to draw, and everything came into being, including Bingo the boy and Mildred the cat, whom we first met in The Runaway Dinner. The world is good until discontent sets in and the modest, eager-to-please pencil draws an eraser to make changes. The joy of the pencil has been celebrated in picture books before, but never has the thuggish nature of an eraser run amok been so convincingly portrayed. "He rubbed the tree out and the kitten (who was still up it) out and the other kittens out. And the cousins and the grandmas and Uncle Charlie -- OUT! OUT! OUT!" As the eraser threatens to erase the whole world, the pencil madly re-draws it all back again in a crazy chase scene. Annihilation looms and then the pencil has an extremely good idea and order is restored. There are deep resonances here of world creation myths and the power of artistic expression, a power demonstrated by Ingman's free-wheeling faux-childlike illustrations. There is also a thought-provoking model of conflict resolution. But really, this wry, madcap, loving story is for everyone who thinks that of course a boiled egg should be called Billy or who wants to hear the tale repeatedly so as to shout "OUT!" louder each time. From HORN BOOK, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
In this distant cousin to Harold and the Purple Crayon, a pencil draws a smiling boy (previously met in Ahlberg and Ingman's Runaway Dinner, 2006) and names him "Banjo." At Banjo's behest the pencil adds and names a family, pets, an entire world and a paintbrush to color it all in. When some of the figures start complaining about their details, the pencil obligingly creates a rubber eraser--which turns out to be a mistake, as the eraser proceeds to "rub out" everything and everyone. Sensitive readers may find this part slightly disturbing, but it does create plenty of suspense. Just when entropy looks assured of a win, the fleeing pencil turns on a last, blank page and draws a second eraser--and then, after the two rub each other out, proceeds to remake all that had been lost. Cosmic overtones, anyone? Like its classic antecedent, this may not only inspire some creative world-building in budding artists, it also gives the relationship between story and audience an additional interactive aspect. (Picture book. 6-9) Copyright ©Kirkus Reviews, used with permission.
New York Review of Books Review
SCIENCE FAIR A Story of Mystery, Danger, International Suspense, and a Very Nervous Frog. By Dave Barry and Ridley Pearson. Disney Editions. $18.99. (Ages 10 and up) Mean rich kids, heavies from the Republic of Krpshtskan and a "Star Wars" memorabilia collector in a Darth Vader mask are some of the bad guys in Pearson and Barry's hilarious new novel. Toby Harbinger has to win the $5,000 first prize at the Hubble Middle School science fair to make Darth Vader go away, but much more is at stake: a plot to steal top-secret technology, unwittingly aided by hypercompetitive parents. Somehow it all makes sense. ABSOLUTELY WILD By Dennis Webster. Illustrated by Kim Webster Cunningham. David R. Godine. $17.95. (Ages 5 and up) A father-daughter team assembles a menagerie, wild and garden-variety. Cunningham's hand-colored linoleum prints complement the jaunty poems ("The snail's a funny little fellow/Whose body seems to run on Jell-o./He slips and slides along the ground /And never makes the slightest sound"). The text is simple enough that the book could double as an early reader, and lines about the yak's "hairy top and hairy bottom" should go over big. LET IT BEGIN HERE! April 19, 1775: The Day the American Revolution Began. Written and illustrated by Don Brown. Roaring Brook. $17.95. (Ages 6 to 10) "One of the most famous days in American history" comes to life in this account. Using a blunt, expressive style - except for redcoats and splashes of blood, the watercolors are mostly in shades of brown - the author conveys the human scale of the revolution that began in a field in Lexington (some images make the age guidance of 6 seem on the young side). The book's sourcing could be more informative, but as history lessons go, this one is fast-paced and accessible. THE PENCIL By Allan Ahlberg. Illustrated by Bruce Ingman. Candlewick. $16.99. (Ages 4 to 8) A creative cousin of Harold's purple crayon, Ahlberg and Ingman's "lonely little pencil" busily draws a dog, a cat, a family, a paintbrush (which brings color into the story), a boiled egg named Billy and other characters who insist on taking over their own story and rudely ordering up revisions. ("'Get rid of these ridiculous sneakers!' yelled Elsie.") Finally the pencil is forced to come up with the only possible solution: an eraser or two. EON Dragoneye Reborn. By Alison Goodman. Viking. $19.99. (Ages 12 and up) The odds are stacked almost too heavily against Eon, a girl masquerading as a 12-year-old boy - a would-be "dragoneye apprentice" to one of the "12 energy dragons of good fortune" (Goodman's fantasy world is based on East Asian astrology). But this novel includes plenty of exciting sword fights and plot reversals, and the dragons themselves, which only mystics of Eon's ability can see, are beautifully described. Eon's rise and fall take an unpredictable course, and a surprise awaits at the end, setting up Book 2. HATE THAT CAT By Sharon Creech. Joanna Cotler/HarperCollins. $15.99. (Ages 8 to 12) Creech's new novel - a companion to "Love That Dog" - once again uses poetry to talk about poetry in the voice of a boy named Jack. In his one-sided exchange with his teacher, Miss Stretchberry (we get traces of her presence: "O.K. O.K., O.K. / I will learn how to spell alliteration"), he argues, cajoles and remembers, and arrives at an understanding of what words are for. Along the way we learn about his favorite writers (oddly, repeating some verses from the previous book) and why William Carlos Williams, "the wheelbarrow guy," still sounds new. JULIE JUST