Available:*
Library | Call Number | Status |
|---|---|---|
Searching... Salem Main Library | JPR Lithgow | Searching... Unknown |
Searching... Dallas Public Library | + PRESCHOOL - LITHGOW | Searching... Unknown |
Searching... Monmouth Public Library | LITHGOW | Searching... Unknown |
Searching... West Salem Branch Library | JPR Lithgow | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
A squirrel named Micawber loves the paintings he sees through the windows of the nearby art museum. One day he notices an artist copying the old masters, and he decides to do the same -- with surprising results.
In their second collaboration, best-selling author-illustrator team John Lithgow and C. F. Payne introduce children to the world of art through the eyes -- and paint-splattered tail -- of a highly creative squirrel.
Author Notes
John Lithgow was born on October 19, 1945 in Rochester, NY. He went to Harvard University, where he graduated magna cum laude in 1967. After graduation, Lithgow won a Fulbright Scholarship to study at the London Academy of Music and Dramatic Art.
He has won four Emmy Awards, two Tony Awards, a Golden Globe Award, and two Screen Actors Guild Awards. He has also been nominated twice for the Academy Award for Best Actor in a Supporting Role. In 2005, he became the first actor ever to deliver a commencement speech at Harvard University.
In addition to acting, he is the author of many books for children. He lives in Los Angeles.
Reviews (4)
School Library Journal Review
PreS-Gr 2-The team who created The Remarkable Farkle McBride (S & S, 2000) now puts forth a delightful story of an art aficionado who happens to be a squirrel. The rodent visits the Metropolitan Museum of Art regularly, peering in through the skylight at his favorite works. One day, he slips into the paintbox of a student who'd been copying the great masters and becomes a stowaway on her journey home. All summer he explores the wonder of color and process while she sleeps, his tail serving as a brush, until he has enough art to start his own gallery atop Central Park's carousel. The last scene is a foldout of park friends with paper cups and cheese, attending his opening. The rhymed text sparkles with pleasing sounds like "beguiler" and "alizarin crimson," or intriguing terms such as "peregrination," all the while remaining completely accessible. White pages of narrative are splattered with paint. Lithgow's reading on the CD is brimming with texture and playful pomposity. The mixed-media illustrations depict an utterly fetching protagonist displaying a range of moods and poses. Endpapers reveal "self-portraits," with nods to Rembrandt and Rockwell. Kids will never again look at squirrels in quite the same way; indeed, they will wish to meet Micawber.-Wendy Lukehart, Washington DC Public Library (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
The team behind The Remarkable Farkle McBride returns with another high-spirited tale celebrating the arts. While young Farkle found joy in orchestral music, Micawber the squirrel is a lover of the fine art of painting. The refined New York City rodent makes a weekly scamper from his Central Park nest to the nearby "palace on Fifth Avenue" (the Metropolitan Museum of Art), where he can "feast... his eyes and his heart" on countless masterworks. On one such museum visit Micawber stows away among an art student's supplies and winds up in the woman's apartment, where he clandestinely uses her equipment to paint his own canvases, substituting his bushy tail for a brush. As months pass, the benign bandit assembles his own colorful gallery in his home atop the park's carousel. In a tighter, more linear text than Farkle, Lithgow conveys the sense of discovery and emotional enjoyment one can experience while observing or creating art. The vast majority of lines here have a musical rhythm, though young readers may need to puzzle out the meaning of words like "peregrination." Payne's mixed-media compositions capture an area of Manhattan at its clean, sunny best. His varying perspectives and occasionally paint-splattered backgrounds embrace all the exhilaration of Lithgow's words. Ages 5-8. (Sept.) FYI: Included is a CD recording of Lithgow reading his text. (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
Central Park squirrel Micawber enjoys looking at famous paintings through the skylight of a nearby museum. One day, he follows a young artist home from the museum and, as she sleeps, uses her paint and his bushy tail to create some art of his own. Written in lofty, fluid rhyme and illustrated with unaccountably drab mixed-media images, the story squanders its fine premise by failing to engage the emotions. From HORN BOOK Spring 2003, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Now that Madonna's a mama, it's only a matter of time before she publishes her first children's book. Imagine a touch-and-feel, some pop-ups, and a few lift-the-flaps. Whatever the case, the Material Girl might want to take a lesson from Lithgow, a celebrity who's mastered the medium. Like the actor's previous efforts (The Remarkable Farkle McBride, 2000; Marsupial Sue, 2001), his latest offering is poised for the bestseller list. The story is set in Central Park and stars the titular squirrel, an aspiring artist. Lithgow's jaunty rhymes roll off the tongue as Micawber admires the Met's collection: "Through the windows he'd gaze at Van Dyck and / van Gogh, / Appraise every Rembrandt and Titian. / He would scrutinize Rubens, peruse each Rousseau, / Inspect each Lautrec and Cassat and Mir-. / He would find a new favorite each time he would go, / And nobody charged him admission." He also meets his mentor. When the stranger packs up after a day spent reproducing Monet, Micawber stows away in her supply box. Payne's realistic illustrations are bathed in a mysterious light, then flecked with color, as Micawber sneaks out at night to experiment with the woman's paints. Through art, Micawber's world is transformed. So is his tail, which he uses as a paintbrush. A final gatefold reveals Micawber's creations hanging on the walls of his own "museum" with the requisite gala opening. The collaboration is perfectly charming from start to finish and-take note, Madonna-it comes with a CD of Lithgow reading the text. (Picture book. 4-8)