Publisher's Weekly Review
Lincoln Rhyme, Deaver's popular paraplegic detective, returns (after The Vanished Man) in a robust thriller that demonstrates Deaver's unflagging ability to entertain. But even great entertainers have high and lows, and this novel, while steadily absorbing, doesn't match the author's best. Geneva Settle, who's 16 and black, is attacked in a Manhattan library while researching an ancestor, a former slave who harbored a serious secret (not revealed until book's end). Amelia Sachs, Rhyme's lover/assistant, and then Rhyme are pulled into the case, which quickly turns bloody. After Geneva are a lethally cool white hit man and a black ex-con-but even when they're identified, their motive remains unclear: why does someone want this feisty, hardworking Harlem schoolgirl dead? To find out, Rhyme primarily relies, as usual, on his and Sachs's strength, forensic analysis; the book's tour de force opening sequence consists mostly of a lengthy depiction of their painstaking dissection of evidence left during the initial attack on Geneva, and every few chapters there's an extensive recap of all evidence collected in the case. Deaver offers more plot twists than seem possible, each fully justified, but this and the emphasis on forensics give the novel more brain than heart. Geneva, a wonderful character, adds feeling to the story, and there are minor personal crises faced by other characters, but as the novel's focus veers from police procedure to odd byways of American history, execution techniques and one more plot twist, the narrative loses grace and form. Even so, this is one of the more lively thrillers of the year and will be a significant bestseller. Agent, Deborah Schneider. 300,000 first printing; 14-city author tour. (June 7) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Quadriplegic criminalist Lincoln Rhyme fights to save a schoolgirl somebody's determined to kill? At first the attack on Geneva Settle looks like a routine sexual assault. The masked man who nearly left her dead in New York's Museum of African-American Culture and History even left a bag of rape accessories behind when he pursued Geneva into the street, where he shot a librarian three times. But the trademark death-on-rats forensic work Rhyme orders strongly suggests that the bag may have been left behind as a decoy--the first of many false trails Thompson Boyd, Geneva's sinister assailant, lays for the NYPD's Det. Amelia Sachs and Lt. Lou Sellitto. Was Boyd interested in the microfiche Geneva was reading? Is his motive connected to a century-old crime, or one that hasn't happened yet? As Rhyme and his colleagues close in on Boyd, he closes in on Geneva, who stubbornly resists police intrusions into her family circle and life at Langston Hughes High School and pays a high price in vulnerability. Despite the brilliance of Rhyme's work and some heartbreaking near-misses in their manhunt, Boyd and his own co-conspirators seem able to strike at will, and few readers will turn off the lights and leave Rhyme's sixth case unfinished. Deaver is as tricky as ever, strewing secrets broadcast among good guys as well as bad. As in his last few cases (The Vanished Man, 2003, etc.), however, Deaver's like a departing dinner guest who just can't resist telling one more anecdote; the capture of the perp is followed by a whole string of anticlimactic surprises that yield diminishing returns--though the revelation of the conspirators' true motive is a humdinger. There's no question, though, about Deaver's unexcelled ability to pull the wool over your eyes. When he describes a colorless, odorless glass of liquid as water, don't assume it is until somebody drinks it down--or maybe till an hour later. Copyright ©Kirkus Reviews, used with permission.
Booklist Review
A new Lincoln Rhyme novel is cause for excitement among fans of twisty-turny thrillers. This time out, Rhyme, the quadriplegic forensic investigator, is trying to find out why a man was stalking a high-school student. Turns out it might have something to do with the death of one of the student's ancestors nearly 140 years ago. Deaver, who must have been born with a special plot-twist gene, somehow manages, in every book, to pull two or three big surprises out of his hat. He also has a knack for drawing us immediately into the story. For some readers, it's his detailed description of investigative techniques; for others, it's Rhyme himself, the crusty, bad-tempered (but secretly lovable) detective who, with the help of his protege (and lover), the beautiful Amelia Sachs, solves crimes that most other investigators couldn't begin to crack. The Rhyme novels are among the cleverest of contemporary detective fiction. It is disappointing, however, to report that this one has a rather noticeable flaw. He attempts to render the dialogue of an African American character, in a kind of written Ebonics ('S'up, girl? ) that is very distracting to read and pulls us right out of the story. One of Deaver's strong points has always been his ability to write flowing dialogue; the awkward effort here to translate oral idiom into written language is an unfortunate slipup. Aside from that, though, it's a typically well-written, suspenseful story. --David Pitt Copyright 2005 Booklist
Library Journal Review
Because high schooler Geneva Smith is researching ancestor Charles Singleton, a former slave with a singular secret, she's being targeted by a killer whom Deaver's popular Rhyme-Sachs duo aim to stop. With a 12-city tour. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
