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Bound With These Titles
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Summary
Summary
There is a door at the end of a silent corridor. And it's haunting Harry Potter's dreams. Why else would he be waking in the middle of the night, screaming in terror?
Here are just a few things on Harry's mind:
* A Defense Against the Dark Arts teacher with a personality like poisoned honey.
* A venomous, disgruntled house-elf
* Ron as keeper of the Gryffindor Quidditch team
* The looming terror of the end-of-term Ordinary Wizarding Level exams
. . . and of course, the growing threat of He-Who-Must-Not-Be-Named. In the richest installment yet of J. K. Rowling's seven-part story, Harry Potter is faced with the unreliability of the very government of the magical world and the impotence of the authorities at Hogwarts.
Despite this (or perhaps because of it), he finds depth and strength in his friends, beyond what even he knew, boundless loyalty; and unbearable sacrifice.
Though thick runs the plot, listeners will race through these tapes and leave Hogwarts, like Harry, wishing only for the next train back.
Author Notes
J. K. (Joanne Kathleen) Rowling was born in Gloucestershire, U. K. on July 31, 1965. She also writes fiction novels under the name of Robert Galbraith. Rowling attended Tutshill Primary and then went on to Wyedean Comprehensive where she was made Head Girl in her final year. She received a degree in French from Exeter University. She later took some teaching classes at Moray House Teacher Training College and a teacher-training course in Manchester, England. This extensive education created a perfect foundation to spark the Harry Potter series that Rowling is renowned for.
After college, Rowling moved to London to work for Amnesty International, where she researched human rights abuses in Francophone Africa, and worked as a bilingual secretary. In 1992, Rowling quit office work to move to Portugal and teach English as a Second Language. There she met and married her husband, a Portuguese TV journalist. But the marriage dissolved soon after the birth of their daughter. It was after her stint teaching in Portugal that Rowling began to write the premise for Harry Potter. She returned to Britain and settled in Edinburgh to be near her sister, and attempted to at least finish her book, before looking for another teaching job. Rowling was working as a French teacher when her book, Harry Potter and the Philosopher's Stone was published in June of 1997 and was an overnight sensation.
Harry Potter and the Philosopher's Stone won the British Book Awards Children's Book of the Year, was shortlisted for the Guardian Fiction Award, and received a Commended citation in the Carnegie Medal awards. She also received 8,000 pounds from the Scottish Arts Council, which contributed to the finishing touches on The Chamber of Secrets. Rowling continued on to win the Smarties Book Prize three years in a row, the only author ever to do so. At the Bologna Book Fair, Arthur Levine from Scholastic Books, bought the American rights to Harry Potter and the Philosopher's Stone for the unprecedented amount of $105,000.00. The book was retitled Harry Potter and the Sorcerer's Stone for it's American release, and proceeded to top the Best Seller's lists for children's and adult books. The American edition won Best of the Year in the School Library Journal, Publishers Weekly, Parenting Magazine and the Cooperative Children's Book Center. It was also noted as an ALA Notable Children's Book as well as Number One on the Top Ten of ALA's Best Books for Young Adults. The Harry Potter Series consists of seven books, one for each year of the main character's attendance at the Hogwarts School of Witchcraft and Wizardry. All of the books in the series have been made into successful movies. She is number 1 on the Hollywood Reporter's '25 Most Powerful Authors' 2016 list. She has also written Fantastic Beasts and Where to Find Them, Quidditch Through the Ages, and The Tales of Beedle the Bard. She won the 2016 PEN/Allen Foundation Literary Service Award. In 2016 she, along with Jack Thorne and John Tiffany, published the script of the play Harry Potter and the cursed child. It became an instant bestseller.
Rowling's first novel for an adult audience,The Casual Vacancy, was published by Little Brown in September 2012. She made The New York Times Best Seller List with her title Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination. She published two bestselling fiction novels under the name of Robert Galbraith: The Cuckoo's Calling and The Silkworm.
(Bowker Author Biography)
Reviews (5)
School Library Journal Review
Gr 4 Up-Harry has just returned to Hogwarts after a lonely summer. Dumbledore is uncommunicative and most of the students seem to think Harry is either conceited or crazy for insisting that Voldemort is back and as evil as ever. Angry, scared, and unable to confide in his godfather, Sirius, the teen wizard lashes out at his friends and enemies alike. The head of the Ministry of Magic is determined to discredit Dumbledore and undermine his leadership of Hogwarts, and he appoints nasty, pink-cardigan-clad Professor Umbridge as the new Defense Against the Dark Arts teacher and High Inquisitor of the school, bringing misery upon staff and students alike. This bureaucratic nightmare, added to Harry's certain knowledge that Voldemort is becoming more powerful, creates a desperate, Kafkaesque feeling during Harry's fifth year at Hogwarts. The adults all seem evil, misguided, or simply powerless, so the students must take matters into their own hands. Harry's confusion about his godfather and father, and his apparent rejection by Dumbledore make him question his own motives and the condition of his soul. Also, Harry is now 15, and the hormones are beginning to kick in. There are a lot of secret doings, a little romance, and very little Quidditch or Hagrid (more reasons for Harry's gloom), but the power of this book comes from the young magician's struggles with his emotions and identity. Particularly moving is the unveiling, after a final devastating tragedy, of Dumbledore's very strong feelings of attachment and responsibility toward Harry. Children will enjoy the magic and the Hogwarts mystique, and young adult readers will find a rich and compelling coming-of-age story as well.-Eva Mitnick, Los Angeles Public Library (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Year five at Hogwarts is no fun for Harry. Rowling may be relying upon readers to have solidified their liking for her hero in the first four books, because the 15-year-old Harry Potter they meet here is quite dour after a summer at the Dursleys' house on Privet Drive, with no word from pals Hermione or Ron. When he reunites with them at last, he learns that The Daily Prophet has launched a smear campaign to discredit Harry's and Dumbledore's report of Voldemort's reappearance at the end of book four, Harry Potter and the Goblet of Fire. Aside from an early skirmish with a pair of dementors, in which Harry finds himself in the position of defending not only himself but his dreaded cousin, Dudley, there is little action until the end of these nearly 900 pages. A hateful woman from the Ministry of Magic, Dolores Umbridge (who, along with minister Cornelius Fudge nearly succeeds in expelling Harry from Hogwarts before the start of the school year) overtakes Hogwarts-GrandPrE's toadlike portrait of her is priceless-and makes life even more miserable for him. She bans him from the Quidditch team (resulting in minimal action on the pitch) and keeps a tight watch on him. And Harry's romance when his crush from the last book, Cho Chang, turns out to be a major waterworks (she cries when she's happy, she cries shen she's sad). Readers get to discover the purpose behind the Order of the Phoenix and more is revealed of the connection between Harry and You-Know-Who. But the showdown between Harry and Voldemort feels curiously anticlimactic after the stunning clash at the close of book four. Rowling favors psychological development over plot development here, skillfully exploring the effects of Harry's fall from popularity and the often isolating feelings of adolescence. Harry suffers a loss and learns some unpleasant truths about his father, which result in his compassion for some unlikely characters. (The author also draws some insightful parallels between the Ministry's exercise of power and the current political climate.) As hope blooms at story's end, those who have followed Harry thus far will be every bit as eager to discover what happens to him in his sixth and seventh years. Ages 9-12. (June) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Intermediate, Middle School) This review is much like the proverbial tree falling in an uninhabited forest: unlikely to make a sound. But for the record, HP5 is the best in the series since Azkaban, and far superior to the turgid HP4. With Rowling once again following the formula of giving Harry's day-to-day troubles and preoccupations the same weight as the larger battle of good vs. evil, Harry, now a sullen fifteen, finds himself in the role of outsider. The adult wizards in the Order of the Phoenix prepare for the return of Voldemort without him; at Hogwarts, he is ignored by Dumbledore, banned from Quidditch, and--thanks to slanted press coverage--generally regarded as a liar and a ""weirdo."" A new Defense Against the Dark Arts teacher, backed by a Ministry of Magic in Voldemort-denial, begins taking over Hogwarts one repressive educational decree at a time, providing Rowling with the opportunity for some sharp-edged satire. This is one of the funniest of the books, with comic set pieces starring Uncle Vernon and Hagrid, and with Fred and George Weasley outdoing themselves in wickedly funny asides. But it is also one of the most unpleasantly aggressive: adults snarl at one another; Slytherins and Gryffindors seem perpetually to be insulting each other, and even come to blows. The plot doesn't bear close scrutiny, and the climactic confrontation between ""Dumbledore's Army"" (a group of Hogwarts students led by Harry) and a horde of Death Eaters is a banal shoot-'em-up scene with a little magic thrown in. The concluding wrap-up, though, in which Dumbledore explains it all to Harry (and to us), contains a revelation regarding Neville Longbottom that should keep fans fizzing with wild surmise until the next installment. HP5 remains a highly passive reading experience, with all the work done by the author and none required of the reader (viz. those omnipresent, ambiguity-leaching adverbs: ""'I'm not staying behind!' said Hermione furiously""). But tally the book's strengths and weaknesses as you may, the fact remains that Rowling has once again created a fully-fledged world, and for the experience of being there with Harry, HP5 can't be beat. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Booklist Review
No, you can't put it down, but believe me, you'll wish you could. This is not an easy book to lug around. Its worldwide hype aside, the fifth installment in Harry Potter's saga should be judged on the usual factors: plot, characters, and the quality of the writing. So how does it fare? One thing emerges quickly: Rowling has not lost her flair as a storyteller or her ability to keep coming up with new gimcracks to astound her readers. But her true skills lie in the way she ages Harry, successfully evolving him from the once downtrodden yet hopeful young boy to this new, gangly teenager showing all the symptoms of adolescence--he is sullen, rude, and contemptuous of adult behavior, especially hypocrisy. This last symptom of the maturing Harry fits especially well into the plot, which finds almost all of the grown-ups in the young wizard's life saying one thing and doing another, especially those at the Ministry of Magic, who discredit Harry in the media to convince the citizenry that Voldemort is not alive. Rowling effectively uses this plot strand as a way of introducing a kind of subtext in which she takes on such issues as governmental lying and the politics of personal destruction, but she makes her points in ways that will be clearly understood by young readers. To fight for truth and justice--and to protect Harry--the Order of the Phoenix has been reconstituted, but young Potter finds squabbling and hypocrisy among even this august group. And in a stunning and bold move, Rowling also allows Harry (and readers) to view an incident from the life of a teenage James Potter that shows him to be an insensitive bully, smashing the iconic view Harry has always had of his father. Are there problems with the book? Sure. Even though children, especially, won't protest, it could be shorter, particularly since Rowling is repetitious with descriptions (Harry is always angry ; ultimate bureaucrat Doris Umbridge always looks like a toad). But these are quibbles about a rich, worthy effort that meets the very high expectations of a world of readers. --Ilene Cooper Copyright 2003 Booklist
Library Journal Review
Just in case you missed it in all the media, the fifth installment of the Harry Potter series is flying your way on June 21. It's one-third longer than Harry Potter and the Goblet of Fire, and Dumbledore promises to tell all. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.