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Summary
Summary
Chato can't believe his luck. Not only is he the coolest low-riding cat in East L.A., but his brand-new neighbors are the plumpest, juciest, tastiest-looking family of mice to move into the barrio in a long time. So Chato and his best friend, Novio Boy, get out the pots and pans, the tortillas and the beans--everything you'd need for a welcoming feast, except for the main dish, and the guests of honor. Of course, in Chato's mind they are one and the same thing.
But the mice are bringing a surprise guest of their own, who may be more than a cool cat can swallow.
Also available in Spanish as Chato y su cena .
Author Notes
Gary Soto was born April 12, 1952, and raised in Fresno California. He graduated from Roosevelt High School and attended Fresno City College, graduating in 1974 with an English degree. His poems have appeared in many literary magazines, including The Nation, Plouqhshares, The Iowa Review, Ontario Review and Poetry, which has honored him with the Bess Hokin Prize and the Levinson Award and by featuring him in Poets in Person. He is one of the youngest poets to appear in The Norton Anthology of Modern Poetry.
Soto has received the Discovery-The Nation Prize, the U.S. Award of the International Poetry Forum, The California Library Association's John and Patricia Beatty Award twice, a Recogniton of Merit from the Claremont Graduate School for Baseball in April, the Silver Medal from The Commonwealth Club of California, and the Tomás Rivera Prize, in addition to fellowships from the Guggenheim Foundation, the National Endowment for the Arts twice, and the California Arts Council.
For ITVS, he produced the film The Pool Party, which received the 1993 Andrew Carnegie Medal. Soto wrote the libretto for an opera titled Nerd-landia for the The Los Angeles Opera. In 1999 he received the Literature Award from the Hispanic Heritage Foundation, the Author-Illustrator Civil Rights Award from the National Education Association, and the PEN Center West Book Award for Petty Crimes. He serves as Young People's Ambassador for the California Rural Legal Assistance and the United Farm Workers of America.
Soto is the author of ten poetry collections for adults, with New and Selected Poems a 1995 finalist for both the Los Angeles Times Book Award and the National Book Award. His recollections Living Up the Street received a Before Columbus Foundation 1985 American Book Award.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Soto (Too Many Tamales) commands a poet's gift for defining characters quickly, densely and, in this case, with hilariously choice words. Paired with Guevara's (The Boardwalk Princess) wickedly funny, urban paints, Soto's story of Chato, a cool, ``low-riding cat'' of East Los Angeles, is a scream. Chato and his friend Novio Boy plan a dinner for (and, they hope, of) the new mice next door. But the mice bring a surprise guest named Chorizo (sausage), who turns out to be a truly low-riding dachshund. Foiled, the cats resign themselves to mouseless fajitas. It's a basic enough tale, but close to brilliant in its execution. Guevara's cats are delicious send-ups of barrio characters, and Soto's words glisten with wit: ``We brought Chorizo,' Mami mouse called./ Sausage! Chato and Novio Boy danced, and with clean paws they gave each other a `low-four.'" Salud to this magical pairing of talents. Ages 4-8. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
Richly textured paintings on scratchboard backgrounds capture the flavor of Chato's barrio, a colorful Latino neighborhood. Chato and Novio Boy, two cats, prepare a sumptuous Mexican fiesta and invite the new mouse family next door, intendign to make the mice part of the meal. The 'ratoncitos' (little mice) and their canine friend foil the hungry cats' culinary surprise. Glossary of Spanish words included. From HORN BOOK 1995, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Chato and Novio Boy, low-riding East Los Angeles homeboys of the feline variety, have dinner guests. The invitees, a family of five fat mice who just moved in next door, haven't an inkling that they are the intended main course. But when the mice bring along their friend Chorizo (a worldly mutt in a slouch beret) to share the grub, he thwarts the cats' connivings. This unlikely three- species chow-down is a sweet salute to Spanish cooking, with fajitas, frijoles, and quesadillas sharing center stage. Soto delivers a spare, clever text; the words skip like stones across water--``His tail began to swing to the rhythm. He felt the twinge of mambo in his hips.'' Guevara's swarming, luxuriant illustrations give the atmosphere palpability, with brushstrokes so fresh readers will want to stick their fingers in the paint to feel its texture. Menace hangs in the air; the artist mixes the sinisterness of R. Crumb with moments of Edvard Munch terror, yet it seems likely from the outset that the mice are more than capable of looking after themselves. Incidental touches--little devils and angels darting about, a bird wedding glimpsed through a window--are there for the sharp-eyed. Smart, with a nice edge. Soto's inspired finger-snapping prose has found an equally imaginative comrade in Guevara's colorful urban paintings. (Picture book. 4-8)
Booklist Review
Ages 3-8. Chato thinks he's the cool cat of East Los Angeles, and when a family of small mice moves next door to him in the barrio, invites them over for dinner--to be his dinner. With his flashy pal Novio Boy, Chato cooks a delicious spread to go with the tasty morsels of mice. But when his guests arrive with their friend from the old neighborhood, the tables are turned: Sausage turns out to be a long, low-riding, skinny dog, and it's the cats who quake in fear. Kids will get a lot of fun out of the sweet reversal and the comic storytelling. There's a glossary of Spanish words, but it's the characters and their talk that give the story its special flavor. Guevara's very bright illustrations extend the situation comedy with zany details of magic realism. These animal characters are very human: the mouse teenager talks on her mobile phone; Chato's friend mambos to his boom box. Best of all is the fun with scale, especially in a story where the small creatures win. --Hazel Rochman