School Library Journal Review
Gr 5-8-In the only Newbery Honor book to make my list, the weighty issues and historical perspectives don't get in the way of a very funny family. Byron plays some awful tricks on his younger brother Kenny, but readers can't help but laugh at some of his less harmful teasing. He tells a convincing story to little sister Joey about how garbage trucks scoop up frozen Southern folks who don't dress warmly enough, and half-fools Kenny with his tall tale. While the boys supply many of the laughs, it's clear that they get their sense of humor from their dad. His gentle teasing and tongue-in-cheek exaggerations can be hilarious. Laughter and Tears Award: More than any other book on my list, the humor in The Watsons shifts to near tragedy and many thought-provoking developments. The serious stuff succeeds in part because readers grow so close to this family through the humor that comes earlier in the book. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
A 1996 Newbery Honor and Coretta Scott King Honor book, this comic tale, narrated by a 10-year-old boy, describes an eccentric family's unwitting trip South to visit Grandmaduring one of the stormiest times of the Civil Rights movement. PW's boxed, starred review called it "an exceptional first novel." Ages 10-up. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
Fiction: as they travel South in 1963 and become witnesses of a tragic event of the civil-rights movement. Curtis has created a wholly original novel in this warmly memorable evocation of an African-American family and their experiences that are both terrible and transcendent."" Age: mvp A novel that begins as a lighthearted romp follows ten-year-old Kenny and the rest of the Horn Rating: Outstanding, noteworthy in style, content, and/or illustration. Reviewed by: Weird Watsons"""" of Flint (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Curtis debuts with a ten-year-old's lively account of his teenaged brother's ups and downs. Ken tries to make brother Byron out to be a real juvenile delinquent, but he comes across as more of a comic figure: getting stuck to the car when he kisses his image in a frozen side mirror, terrorized by his mother when she catches him playing with matches in the bathroom, earning a shaved head by coming home with a conk. In between, he defends Ken from a bully and buries a bird he kills by accident. Nonetheless, his parents decide that only a long stay with tough Grandma Sands will turn him around, so they all motor from Michigan to Alabama, arriving in time to witness the infamous September bombing of a Sunday school. Ken is funny and intelligent, but he gives readers a clearer sense of Byron's character than his own and seems strangely unaffected by his isolation and harassment (for his odd look--he has a lazy eye--and high reading level) at school. Curtis tries to shoehorn in more characters and subplots than the story will comfortably bear--as do many first novelists--but he creates a well-knit family and a narrator with a distinct, believable voice. (Fiction. 10-12)
Booklist Review
Gr. 4^-8. In a voice that's both smart and naive, strong and scared, fourth-grader Kenny Watson tells about his African American family in Flint, Michigan, in 1963. We get to know his strict, loving parents and his tough older brother, who gets into so much trouble his parents decide to take him back "home" to Birmingham, Alabama, where maybe his strong grandmother will teach him some sense. Several of the family stories are a bit self-conscious (we keep being told we're going to laugh as Dad puts on a show and acts the fool), but the relationships aren't idealized. Racism and the civil rights movement are like a soft rumble in the background, especially as the Watsons drive south. Then Kenny's cute little sister is in a Birmingham church when a bomb goes off. She escapes (Curtis doesn't exploit the horror), but we're with Kenny as he dreads that she's part of the rubble. In this compelling first novel, form and content are one: in the last few chapters, the affectionate situation comedy is suddenly transformed, and we see how racist terror can invade the shelter of home. --Hazel Rochman